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Strymon Magneto - Eurorack Delay and Looper Module
Interstellar Space Machine
Use the Strymon Magneto Eurorack Delay and Looper Module to create expansive soundscapes and evolving, otherworldly tones. Add layers upon layers of harmonic and rhythmic complexity within an enveloping stereo field. Infuse your rack with vintage warmth and retrofuturistic soul.
Tape Delay, Looper, And More
Packed with powerful features while maintaining intuitive playability, Magneto is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I/O.
Transform Your Modular
Turn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.
To capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.
Play It Like An Instrument
Every function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.
Warm Up Your Rack
Not only does Magneto deliver the warm, luscious delay signals that tape delays are known for, it is also capable of a high degree of saturation. Turn up the Record Level knob to send a hot signal to the record head for any amount of tape saturation you desire. Turn up the Tape Age control for warmer repeats. Add some truly beautiful Spring Reverb. Magneto adds organic heart and soul to the sound of your modular.
Tone and Mechanics Control
The effect of the Low Cut and Tape Age knobs are explored, followed by the mechanical ‘deterioration’ of the machine with the Crinkle and Wow and Flutter controls. The Speed knob is put to use for sonic enhancement.
Completely Analog Dry Path
In a typical digital effect the dry signal gets converted to digital, causing conversion noise and latency. Signals are often attenuated before combining digital dry and wet, with makeup gain amplifying the conversion noise. To avoid this terrifying scenario, Strymon have equipped Magneto with a completely analog dry path. Why go to all this trouble? Because the improvements in dynamic range and reduction in noise are so dramatic.
Insanely Powerful DSP
Strymon outfitted Magneto with the incredibly powerful Analog Devices SHARC ADSP-21369 processor, which provides a 366 MHz core instruction rate, and an incredible 2.4 Gigaflops of peak performance. Thanks to this high-powered technology platform within Magneto, Strymon had the freedom to craft the processor-intense tape echo algorithms without compromise.
- Tape-voiced delay machine with four playback heads and one record head
- Processor-intense dTape algorithm delivers meticulously nuanced recreations of vintage tape echo systems
- Three operational modes: Echo, Sound On Sound Looper, Phrase Sampler
- Varispeed algorithm with dynamic machine mechanics, 8:1 speed range
- Input record level for clean reproduction to warm, fat saturation
- Self-oscillating for tone generation
- Independent Spring Reverb
|Module Slot Count||28hp|
|Connector Type||3.5 mm|
|Power Consumption||210 mA +12 V / 210 mA -12 V|
There is certainly no control input shortage. I have been getting good results with rhythmic sequenced VC of the spring reverb. I hardly ever use stereo inputs. I have some concerns about noise floor. What I end up doing is randomly connecting voltages until I’m surprised by the patch; usually I like to hear what I want in my head then know what to do to get it, and with this I am not doing that as much. Guest synthesists like it a lot. I think I would prefer fewer but more powerful control points.
Amazing and very useful
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