Strymon Canoga Fuzz Pedal

Product Description

The Strymon Canoga is a tweaked version of a vintage silicon FuzzFace. Full up it works as a fuzz or distortion, but if you back the guitar’s volume down there’s a world of varied tones on tap for all different styles of music.

IT’S ALL ABOUT THE SOUND

Canoga is a simple pedal to use - there’s one knob for Drive and one for output Level - but the interaction between the guitar and Canoga’s input is critical, as is the interaction between it and your amp. As with many fuzz pedals, Canoga works brilliantly plugged into an amp with a bit of hair on the tone already, similar to how Jimi Hendrix and other guitar greats of the 60s and 70s ran their rigs. Additional versatility comes from the interaction between your guitar’s volume knob and the pedal’s input. Traditionally, unbuffered fuzz pedals like to be connected directly to your guitar, so that the circuitry can “see” your guitar’s pickups and volume pot.

FROM FULL ON FUZZ TO SEMI-CLEAN TONES

Full up on both of Canoga’s pots and your guitar volume pot gets you the full fuzz experience, and rolling back the volume on the guitar opens up a new world of semi-clean blues, rock, Americana and pop sounds. The rolled back sound stays clear in the high frequencies and doesn’t get muddy, so you might find that Canoga allows you to convincingly play riffs that you would normally employ a distortion pedal for, not a fuzz.

SERIES A

Killer code only sounds killer when it’s hosted inside of an ideal analog environment, and even though Strymon are primarily known for their DSP prowess, their stuff wouldn’t sound the way that it does without a strong analog team. The analog guys are always coming up with interesting designs, so Strymon has launched the ‘Series A’ line of pure analog pedals to give them an outlet, and Canoga joins Fairfax as the second pedal in the series. The designs you’ll be seeing in ‘Series A’ are intended to offer something different from traditional Strymon offerings, with no MIDI, USB, firmware or digital processing.

CONTROLS AND ROUTING

Drive controls the amount of distortion and Level controls the output level. I/O consists of a high impedance audio input and a low impedance audio output. Use a power supply or an adapter with the following rating: 9VDC, center negative, 50 mA minimum (sold separately). Voltages higher than 9VDC can damage the pedal.