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$
2,599
.00
Your Savings:
$
150
.00
Msrp:
$
2,749
.00
or $73/month for 36 months
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In Stock
Item is in stock and will ship the next business day.
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SKU
16347
Universal Audio 4-710d Compressor
Four-channels of tone-blending Twin-Finity preamps and 1176-style compression w/ built-In A/D converters
MFR# 4710D
Product Description
The Universal Audio 4-710d is a boutique quality, four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities — perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UA’s classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup.
At the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps with true-bypass 1176-style compression, including specially tuned "fast" and "slow" settings. Each of the four mic preamp channels allows for continuously variable phase-aligned tone, between a 100% tube and 100% solid-state signal path. Send and return jacks are available for external processing or signal access.
The eight analog inputs are digitized via ultra high-quality 24-bit A/D converters at selectable sample rates up to 192 kHz. Digital output is available via dual ADAT “lightpipe” or AES/EBU DB-25 connectors, facilitating integration with most popular audio interfaces.
Features
- Four TEC Award-winning 710 Twin-Finity™ microphone/line preamps
- Dual-path 285-volt Class-A tube and transimpedance solid-state preamps
- Phase-aligned tone-blending of tube and solid state circuits, creamy to crunchy
- Newly designed 1176-style compression circuit per preamp channel
- Eight channels of high quality 24-bit A/D conversion
- Selectable sample rates up to 192 kHz
- Digital output via dual ADAT optical and AES/EBU DB-25 connectors
- 8-channel soft limiter (switchable for all channels)
- 1-year Limited Warranty
Product Specifications
| Condition | New |
|---|---|
| Tube or Solid State | Tube/Solid State Hybrid |
| Channels | 4-Channel |
| Chassis | 19-inch Rack-mount |
| Rack Spaces | 2U |
| Direct Input | Yes |
| Digital I/O | Yes |
Product Reviews
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I had been wanting the 4-710d for a long time, did a lot of research and when I finally had enough saved up, was happy to get it.
A couple of the things that was mostly wondering about was the tone when adding more of the tube and how the compression sounds. So from my first experience with it, the tube tone adds a really great authentic warm breakup that is hard to reproduce through any plugin. The tone is similar to what you might hear on the vocals for No Dream by Jeff Rosenstock. But if you need to record something super clean, when you’re recording something that you don’t want any color added, just dial back the knob.
The compression was also everything I wanted. There’s enough range between the slow and fast options that you can hear the difference but it’s not soo far away that you wish you had more control. Which the control was what I was concerned about not having, but UA really nailed it down.
All and all, it’s a really solid piece of equipment to have and when I pay this one off, I’ll probably try to get another so I can replace some of my other mic pres and low end compressors.
Another thing I do want to mention is that Vintage King has been great to work with, I’m near a wearhouse so the option to pick it up same day as opposed to having it shipped was a huge bonus for me. -
So far so good. Great Tone!
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Every studio should have one!
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Amazing!!
The only sad part.. I could not receive the UAD accelerator as mentioned in the deal.
Have tried reaching out to your support regarding the same.. But no help.
If someone is reading this.. Kindly respond.
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Related Blog Posts
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Buyer's Guide: Microphone Preamps
03.15.2019Read More
A crucial link in the audio chain is the microphone preamplifier, aka the mic preamp or mic pre. The output level of a microphone is very low and requires amplification to bring it up to line level. That’s what a mic pre does. But a mic preamp can’t drive a pair of speakers; that’s the job of the main amplifier.A key part of the job for a mic pre is to keep input noise to a minimum and to amplify without distortion.
Being the first amplification stage of the microphone signal, the mic preamp is essential to getting a good sound. Choose a poor one and you’ll be working harder to overcome its limitations. Choose a good one and processing your sound will get a lot easier. But what are the differences between average preamps and better ones? Let’s look at some of them. Continue reading →
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