Teenage Engineering EP-133 K.O. II Sampler/Sequencer/Composer

The mad minds at Teenage Engineering have done it again with the EP-133 K.O. II, a bold evolution of the beloved PO-33 K.O! sampler. The Teenage Engineering EP-133 K.O. II brings back everything great about the original version and adds more: More power, more versatility, and more ways than ever to capture the world around you and transform it into your next favorite song. Whether it's your voice, your go-to synth, your favorite drum fill from an old record, or even a random voice memo from your phone, the K.O. II's sampling capabilities are as boundless as your imagination.

SAMPLE ANY SOUND WITH EASE

Recording samples with the EP-133 K.O. II is as easy as pointing and hitting the big, orange REC button. The fun really begins once you have some sounds to work with, as the K.O. II’s robust sequencer engine lets you quickly and effortlessly build full-fledged compositions using four groups and 12 patterns for seamless beat construction. Swap patterns on the fly, experiment with combinations, and freeze moments of inspiration with the Commit button to effortlessly build verses and breaks.

VERSATILE ONBOARD EFFECTS AND SOUNDS

Before you even capture your first sample, the K.O. II comes stock with a plethora of next-generation effects. Elevate your tracks with studio-grade compression, responsive filter automation, and impactful punch-ins to bring a mix to life in real-time. You can even bring in the band using the curated selection of drums, bass, and keys sounds, or assign your pads to up to 16 MIDI channels.

MADE FOR ANY SETUP

With a 32-bit float signal chain, 24-bit ADC/DAC converters, and onboard sync I/O for external gear, the K.O. II thrives both on its own and as part of a larger setup. Whether you’re in the studio, on stage, or just hanging out, the EP-133 K.O. II is the ultimate creative companion for musicians of all levels. Check it out for yourself today and discover a whole new sonic palette and creative approach.

FEATURES:

• 9 projects each with 80,000 notes
• Projects contain 4 groups, each with 99 patterns
• Patterns have 12 tracks for samples and MIDI
• 12 mono/6 stereo voice polyphony
• 12 pressure and velocity-sensitive pads
• Instantaneous time correction and erase
• Stereo/mono sampling at 46.875 kHz/16-bit
• 32-bit float signal chain, 24-bit ADC/DAC
• Sync I/O for external gear 8th or 16th note, or sync24
• 6 built-in send FX and a master compressor