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High performance stereo delay effects pedal, with 12 algorithms, 200 presets, stereo I/O, MIDI I/O, onboard looper, and tap tempo
The Strymon Timeline Pedal provides you with twelve different delay machines, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss. Features include Presets, Expression Pedal Control, Stereo Looper, Feedback Loop, and MIDI Integration.
Strymon delivers the next level in sound quality, sonic flexibility, hardware design, and processing power. They spent months locked up in the Strymon sound design labs with an intense focus on dreaming up the most spacious, lush, creative, and tweak-able delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed. Each algorithm is so detailed it requires the entire processor.
|Package Contents||Timeline pedal and 9V DC power supply|
|Input Connectors||1/4-inch TS|
|Output Connectors||1/4-inch TS|
I became obsessed with pedals when I got a Line 6 DL4. Many late nights exploring new sounds and layer with the looper. Since then, we've seen the Boss Giga Delay, TC Electronic X4 and other multi-delay pedals. The Timeline is without a doubt the most in depth and musical delay I've ever played. The Ice mode is loads of fun exploring different melodic intervals for the repeats. One thing I love to do, is setting the Smear in the middle, repeats off, around 350 ms, + octave, all wet. Run a scale or note-y lick and it will repeat back twice as fast, one octave up so it sounds like you're shredding really fast but obviously still really artificial but cool sounding. Very Adrian Belew. That's one of many tricks locked up inside this beast of a pedal.
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