SoundToys SuperPlate Plate Reverb Plug-In - Electronic Delivery

SoundToys SuperPlate Plate Reverb Plug-In - Electronic Delivery

$149.00
Sale price  $149.00 Regular price  $0.00
Skip to product information
SoundToys SuperPlate Plate Reverb Plug-In - Electronic Delivery
SoundToys

SoundToys SuperPlate Plate Reverb Plug-In - Electronic Delivery

MFR# 1043-53

Plug-in featuring five classic electromechanical plate reverbs including meticulous models of the EMT 140, EMT 240, Audicon, Stocktronics RX4000, and EcoPlate III reverb units

Price $149.00
Affirm Instant financing.
PayPal Three ways to pay.

Availability

In StockFastest eDelivery 24/7!
This product is delivered by download. Once your order is complete, you will receive a license code via email within minutes. Note: Software is not returnable, so please call if you need advice about compatibility or version.

Ask Our Experts!

The Vintage King team is ready to answer your questions so you can decide on the best fit for your studio. Fill out the form below and we'll be in touch with you shortly.

Experts At Your Service

Have a question? Our Audio Consultants and Technicians have years of real-world experience and are ready to help.

Call now

Product Description

SoundToys SuperPlate brings the unique tonal character of five classic electromechanical plate reverbs into your studio – without the massive investment and back-breaking weight of the originals. Its advanced algorithms capture a level of unmatched realism and versatility and create luscious, expansive effects.

At the core of SuperPlate are meticulous models of the EMT 140, EMT 240, Audicon, Stocktronics RX4000, and EcoPlate III reverb units. Its three different flavors of analog coloration – Tube, Solid-State and Clean – can be used in combination with any of SuperPlate’s styles. Its wide range of modern digital features includes infinite decay time, built-in predelay, expanded modulation controls, full-featured EQ for detailed tonal shaping, and a unique decay ducking option that adjusts decay time to reduce overlap or build-up.

SuperPlate accurately reproduces the tonal characteristics and unique sonic signatures of each of its five plate styles. Inside one plug-in SoundToys have packed a collective 1450 pounds (659 kg) and 330 cubic feet (9.4 m3) of plate reverb evolution.

GOLDFOIL 240

Based on the EMT 240 (1970) the successor to the EMT 140. The EMT 240 was technically not a plate at all, and was designed to create a more compact and portable reverb. Instead of a steel plate, it used a thin foil of 24-karat gold to create its distinctive darker and tighter sound.

PICK YOUR PREAMP

All plate reverbs use a pre-amplifier to drive the “voice coil” that turns electrical sound waves into the physical vibrations of a plate reverb device. There are two different preamp models in SuperPlate, Tube and Solid-State, along with a Clean mode – which can each be used in combination with any of SuperPlate’s styles.

  • The Tube mode is modeled on the original EMT V54 preamp that was used in the earliest EMT 140 plates and can be used to add a little (or a lot) of harmonic spice to your sound before it hits the reverb.
  • The Solid-State mode is modeled on the EMT 162 preamp that was used in later versions of the EMT 140. This model has a built-in compressor that can be used to help control and tame transients on their way into the reverb.
  • SuperPlate’s Clean mode strips out all preamp modeling and preserves the pure sound of the various plate models without any additional harmonic distortion or dynamics.

LET IT BREATHE

SuperPlate’s unique Auto-Decay feature shortens the decay time to a desired “target” setting when the input signal is above the adjustable threshold. This feature is crucial in keeping the sound clear and prevents punchy transients from being overpowered by excessive reverb tails. Combined with the recovery speed control, you can make your reverb breathe with the pacing of your music.

TAME YOUR TAIL

SuperPlate’s built-in filters and EQ makes it easy to sculpt the reverb to fit your mix. The low-cut filter is essential to prevent excessive low-frequency energy from building up, and the high-cut filter can be used to help the reverb to blend in naturally with the original sound. The two parametric bands are super flexible and can be used to help tame mid range resonances or add high frequency sheen.

TECHNICAL DETAILS:

  • Apple Silicon and VST 3 Compatible
  • Plug-in Formats (64-bit only): AAX Native, AAX AudioSuite, VST 2, VST 3, and Audio Units (AU)
  • Supported Sample Rates: Minimum: 44.1 kHz, Maximum: 192 kHz
  • Operating systems: Mac OS X 10.12 or later; Windows 7 or later.
  • An internet connection is required at the time of activation.
  • Supported hosts: Pro Tools, Live, Cubase, Nuendo, Logic, Studio One, Reaper, Bitwig