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The REMIC RE7100 RESHAPE is a high-definition condenser microphone designed for studio and live productions. It delivers a natural and open sound and fast transient response and it captures the finest and most delicate overtones of the instrument with an astonishing accuracy.
The RE7100 RESHAPE is designed as an instrument microphone for use on strings (violin, viola, cello, double bass) as well as brass instruments. The microphone can also be used with the PH7000 RESHAPE pencil holder in a microphone clamp on a standard microphone stand.
With an omnidirectional polar pattern, it is recommended for studio and live performance requiring moderate amplification such as chamber music, classical repertoire, orchestra amplification, jazz and folk music as well as soloists. The microphone has a moderate isolation against bleed from neighbor instruments and ambient noise.
The REMIC RESHAPE product series design is based on years of collected customer feedback from the use of the original REMIC instrument specific microphones for violin, viola, cello, double bass and brass instruments. The REMIC RESHAPE product series is designed for users who need the flexibility to use the microphones with several different instruments such as rental companies, concert halls, sound engineers and multi-instrumentalists.
The demand for a product series with the flexibility to use the microphones on different instruments led to a new additional very flexible product series, which literally lets you “reshape” your REMIC by replacing the mount part with a mount for a different instrument. The REMIC RESHAPE series is developed without compromising the instrument specific aspect, which is the philosophy, which REMIC MICROPHONES was founded on.
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The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the REMIC RE7100 RESHAPE Omnidirectional Condenser Microphone . Once you submit your review, please check your email and verify your address to have it posted.
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