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Product Description
Just like the original studio legend, the TELEFUNKEN Elektroakustik ELA M 251F delivers a perfect balance of warm tube character and open, musical presence for lead vocals, acoustic instruments, and detailed stereo recording. The "F" variant differs from the "E" in the following the ways:
- Employs an imported, modern power supply as opposed to the historically-accurate “lunchbox”-style 251E power supply
- Uses a TELEFUNKEN TK-12 capsule, not the CK-12
- Does not include the the vintage-style locking flight case of the 251E
Otherwise, the amplifier is circuit is identical to the 251E. It uses a 6072A tube and custom-wound Haufe transformer. The construction is the same as the 250/251 family.
A FAITHFUL REISSUE OF THE CLASSIC ELA M 251
Crafted to vintage specifications, this meticulous reissue from Telefunken Elektroakustik faithfully recreates the sound of the original 1960s ELA M 251 while offering enhanced reliability. To resurrect this legendary microphone, Telefunken reverse-engineered premium vintage specimens to reproduce the original's smooth midrange, airy top end, and musical harmonics. Use the Telefunken ELA M 251F for anything you'd use a vintage large-diaphragm tube microphone for: lead vocals, delicate acoustic instruments, stereo drum overheads, room mics, and more. This authentic reissue gives studios access to the coveted Telefunken sound without the cost and maintenance of rare vintage tube microphones.
TK-12 IS A LARGE-DIAPHRAGM CONDENSER CAPSULE
The TK-12 is one of Telefunken’s two recreations of the AKG CK-12 capsule. It is a large-diaphragm condenser capsule with dual 10-micron gold-sputtered Mylar diaphragms. In contrast the original brass-ring design of the CK-12, the TK-12 uses features "modern techniques and standard parts (molded plastics and assembly screws)" for streamlined production.
SELECTABLE CARDIOID, OMNIDIRECTIONAL, AND BIDIRECTIONAL POLAR PATTERNS
The Telefunken ELA M 251F large-diaphragm tube microphone offers three polar patterns (cardioid, omni, and figure-8), giving you a range of placement options for different applications. Use the mic in cardioid mode for focused capture and musical proximity effect, switch to omnidirectional (omni) mode for natural room capture, or try figure-8 (bidirectional) mode for superior side rejection. Exceptionally versatile for a tube condenser microphone, the ELA M 251F is a natural choice for stereo techniques such as spaced pair, X/Y, ORTF, Blumlein, and mid-side (MS). No matter what recording situation you find yourself in, the Telefunken ELA M 251F tube condenser microphone can handle it.
AUTHENTIC ELECTRO HARMONIX 6072A VACUUM TUBE
An authentic Electro-Harmonix 6072a vacuum tube provides the harmonic richness and gentle tube saturation that define the classic Telefunken sound. This premium vacuum tube delivers warmth and clarity at lower levels and smooth even-order harmonics when driven harder. The use of a known, reliable tube model also simplifies maintenance and replacement, ensuring consistent tonal character across sessions.
CLASSIC HAUFE T14/1 OUTPUT TRANSFORMER
A key component of the Telefunken ELA M 251F large-diaphragm tube condenser microphone is its Haufe T14/1 output transformer. After the capsule and tube work their magic, the transformer imparts additional warmth and subtle tone-shaping that subtly glues sources together. Perfectly matched to the ELA M 251F, the T14/1 transformer smooths any unwanted harshness without sacrificing detail, making it especially effective on vocals, electric guitars, cymbals, and even brass instruments.
Features
Specifications
| Transducer Type | Condenser |
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