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SKU
1292
Neve 1081 CV Mic Preamp/EQ - Vertical
Microphone preamp/EQ handbuilt in the UK using original components providing remarkable sensitivity, fast and musical response to transients and inimitable Neve EQ
MFR# 1081 Classic mono mic preamp & EQ module (vertical)
Designed in 1972, the Neve 1081 was originally conceived as a combined mic/line preamp and equaliser section for the Neve modular consoles. A glance through the credits on today’s platinum-selling albums reveals that these vintage consoles are still widely used to great effect, confirming the 1081’s status as a truly classic component in a recording front-end or mixing environment. Neve are still hand-building 1081 modules in Burnley, UK much the same way as the original modules, using the original components, hand-wound transformers, and time-honed construction methods.
The 1081 provides remarkable sensitivity, fast and musical response to transients, plus inimitable Neve equalization featuring effective high- and low-pass filters designed to separate unwanted signal outside the passband. This gives users a flexible tool with which to shape new sounds and control any part of the audio spectrum. The curves and slopes have been carefully tailored to enable users to exercise maximum technical and artistic skill.
Over three decades of engineers have found the 1081 an indispensable tool for recording and mixing drums, bass and percussion. As with all Neve outboard gear, users are assured the highest quality signal acquisition, thanks to uncompromising Class AB circuitry, hand-wound Neve-designed transformers, and unrivaled attention to every last component and construction detail.
FEATURES:
Legendary Neve microphone preamp and equalizer design (Class A)
Hand-built and wired precisely to original 1972 specifications
5 switchable EQ bands
HP and LP selectable filters (18 dB per octave)
Separate 48V phantom power supply
Solo button selects channel unbalanced output
Neve-designed hand-wound transformers
Both inputs transformer-balanced and earth free
Microphone Input: Gain +80 dB to +10 dB in 5 dB steps
Line Input: Gain +20 dB to -10 dB in 5 dB steps
Output: Maximum output >+26 dBu into 600 ohms; Output impedance 75 ohms @1 kHz
Distortion: Not more than 0.07% at +20 dBu output
Freq Response: ±0.5 dB 20 Hz to 20 kHz, -3 dB at 45 kHz, EQ Out
Output noise better than -80 dB at all line levels
The letters EQ have become such a mainstay in the studio that we often don't think about where the abbreviation came from. It's essentially shorthand for "equalization" and "equalizer." It’s also helpful to think of them as symbols for "Enhancing Quality," as equalizers have certainly had a hand in improving audio over the years.
Throughout this Buyer's Guide, we will be approaching the subject of equalizers and learning more about their history and impact on the modern-day studio. Additionally, we will be covering the different types of equalizers, what makes them unique and the controls featured on most EQs. Continue reading →
For IDLES' followup to 2018's Joy As An Act Of Resistance, the British rock band went to France to work with producers Adam "Atom" Greenspan and Nick Launay. The resulting record, Ultra Mono, quickly became a huge success, hitting #1 on the UK charts and making appearances on many 2020 year-end lists.
This isn't the first time Atom and Nick have worked together on a record. Their partnership dates back to a chance meeting which led to Nick becoming a mentor to Atom. While both have done incredible work on their own, together they've made albums with the likes of Arcade Fire, Yeah Yeah Yeahs and Refused.
We recently had the pleasure of chatting with Atom about his experience working on Ultra Mono. Read on to learn about recording drums in a stone wine cellar, his go-to vocal chain for vocalist Joe Talbot and what it's like making a record with his friend Nick. Continue reading →
Located inside an old church in the heart of Plymouth, Michigan, Plymouth Rock Recording Co. offers a full suite of audio and video production services, from jingles and music production to commercials, music videos, and even feature films. Co-owned by Chris Breest, Plymouth Rock has racked up some impressive credits over the last 20 years or so, including iconic musical acts like MC5, Royce Da 5’9”, and Uncle Kracker to corporations like Microsoft and Ford. Continue reading →
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