0% up to 48 Months on over 110 Brands!
New & Current Vintage King Card Holders
0% financing up to 48 Months on over 110 Brands!
When you shop now with your Vintage King Credit Card.
16-channel analog summing mixer in a 2-space rack-unit with both XLR and D-sub inputs providing unsurpassed imaging, dimensionality, punch and headroom
Dangerous Music invented the stand-alone analog summing mixer with the ground-breaking 2-BUS back in 1999, and now they've redefined mixing yet again with the Dangerous Music 2-BUS+. With a redesigned analog summing circuit that exceeds previous specifications, the 2-BUS+ delivers unsurpassed imaging, dimensionality, punch and headroom. While the 2-BUS+ active summing sounds incredible on its own, it now includes three innovative custom color circuits that provide a vast array of flexibly routed tonal options. Harmonics is a euphoric odd- and even-order distortion generator; Paralimit is a hard-hitting FET-style limiter; and X-Former is a pair of Cinemag output transformers with an exclusive core-overdrive circuit. With it’s elegantly straightforward buttons and knobs, the 2-BUS+ puts endless combinations of robust analog sound at your fingertips. Meticulously developed by our hands-on team and brilliantly designed by the legendary Chris Muth, the 2-BUS+ embodies our dedication to sacrificing nothing in order to deliver the very best analog products available.
Analog summing is a vastly misunderstood topic, but it doesn’t need to be. First, when multiple converters share the workload of getting your sounds from digital into analog, you’ll hear improved articulation and clarity across your mix. Once in the analog realm, these individual channels are electronically summed together with what’s called an “active analog summing circuit.” Unlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS+ result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. The 2-BUS+ unveils all the details that bring your creations to life.
Many analog processors – from delays and reverbs to EQs, compressors and more – have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. And despite promising ad campaigns, analog mix bus emulation plugins just add distortion to the master fader, actually making problems worse. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS+, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver.
When it comes to adding analog color to your mixes, the design team at Dangerous has developed three totally original all-analog circuits: Harmonics, Paralimit and X-Former. Because these circuits are physically built into the 2-BUS+, you get a versatile selection of analog colors while never leaving the lush, open analog mixing environment.
Harmonics – Add the euphoric sound of an analog circuit on the edge of distortion to your whole mix, or to individual channel pairs. Carefully tuned to generate the perfect mixture of odd- and even-order harmonics, this effect runs parallel with the unprocessed signal so you can dial in just the right amount of tone. The top end subtly simmers, the bass gently growls, and the whole sonic image warms up in ways that only a real analog circuit can offer.
Paralimit – This is a FET Limiter set to stun. An original Chris Muth design inspired by the famous 1176 Limiting Amplifier “all buttons in” trick, you get an infinite ratio setting flooded with analog top-end. With its blend knob and assignment buttons, Paralimit gives you instant parallel compression, in stereo, in the analog domain, on the full mix or on a stereo stem – a flexible set-up that otherwise requires complex patching, careful level matching and significant amounts of analog outboard gear.
X-former – Last in line are a pair of customized Cinemag transformers with Chris Muth’s totally unique approach to driving the core. Switch them in for the solid, punchy sound that makes older analog consoles so loved, then turn up the X-Former knob to drive the core of the transformer in a way that’s totally unique to the 2-BUS+. X-former is all about dialing in just the right amount of classic analog console color whenever it’s called for.
Because you can effortlessly assign Harmonics and Paralimit to the whole mix or to individual channel pairs, instantly flip their patching order, and blend them in with the original signal at the twist of a knob, the 2-BUS+ provides incredibly flexible parallel processing without any outboard gear or fussy patching. With the ability to switch in the on-board customized Cinemag transformers, as well as any outboard processors you like on the switchable stereo insert, you’ve got nearly limitless options all accessed from the uncluttered front panel. Whether you choose to run it pure and clean, blend in just a hint of delicious analog flavor, or push it into the red-zone, Dangerous have put the choice back in your hands when mixing.
When you buy analog equipment, you’re making a real investment that will hold its value for decades. Analog technology is time-tested. It wont need an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities and timeless analog tone processors of the 2-BUS+ will always be a relevant, compatible and valuable centerpiece in your studio.
|Tube or Solid State||Solid State|
|Number of Inputs||18|
|Input Connectors||Analog DB25, Analog XLR|
|Number of Outputs||2|
|Output Connectors||Analog XLR|
Absolutely Incredible!!!!! How did I work this long without this piece? If you can afford it, buy it!
I have been using a passive bus combiner for years in my mixing. The 2Bus+ takes the concept to a whole new level. Couldn’t be better and the architecture is well thought out.
It’s amazing. Love the dimension and sound stage I get with it
There’s nothing like it.
Like everyone else states you find the workflow that works for you - it can be fine in the box but the paralimiter and the organization of my tracks works for me - if you are considering analog summing you can’t reslly go wrong for the price
* Required Fields
When it comes to getting the best gear, your tastes are probably pretty particular. Vintage King can help answer any and every question to help you make the right decisions for your sound. Fill out the form below and we'll be in contact with you shortly.
Free shipping to the lower 48 US states on orders $99 and up. See details.
* Required Fields
Please fill out the form below and a Vintage King Audio Consultant will contact you with a ship date for the Dangerous Music 2-BUS+ 16-Channel Analog Summing Mixer.