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$
1,145
.00
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$32/month
for
36 months
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Note: This item may not be returnable or could require a restocking fee. Contact one of our Audio Consultants for more details.
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SKU
10883
Chandler Limited Little Devil Compressor
500 Series all-discrete FET compressor
MFR# LITTLE DEVIL COMPRESSOR
Product Description
Following in the rich tradition of English 60s and 70s console design, Chandler Limited enters the 500 race furiously with its new Little Devil Equalizers and Compressors.
With all discrete circuits, transformer balanced everything, and the American hand made quality you expect from Chandler the Devils combine Chandler’s best designs with the hottest designs from the past.
Features:
- All controls are marked +/- 1 to 6 in the playful Devil spirit of the concept
- FET Compressor using concepts from both the Chandler Germanium Compressor and the 2264 Comp
- Input Control
- Curve selection with zener and germanium diode knees
- Gain Make Up
- Ratio in three positions
- Attack
- Side chain filter -30, 60, 90, 150, 300hz
- THD selection
- Release
- Hardwire bypass
- Will run without problem on any 500 series rack and PSU
Product Specifications
| Condition | New |
|---|---|
| Tube or Solid State | Solid State |
| Channels | Single-Channel |
| Chassis | Module |
| Module Type | 500 Series |
| Module Slot Count | 1 Slot |
| Digital I/O | No |
| Compression Type | FET |
Related Blog Posts
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Buyer's Guide: Compressors/Limiters
05.23.2019Read More
Compressors and limiters are some of the most important and versatile tools that any audio engineer can use. Virtually every modern recording uses compression somewhere in the chain of tracking, mixing, and mastering. This ubiquity makes them valuable but also creates confusion when considering the many choices in the marketplace. To help straighten that out, we’ll discuss the main types of compressors and the terminology that explains their usage.The purpose of a compressor is to even out the audio signal in order to tame loud transients and bring up lower amplitude material. Compressors were born out of necessity to fill that very straightforward role, to protect radio transmitters from overly hot signals, and to keep recordings in a narrower dynamic range that was easier to reproduce on tape or record. Continue reading →
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