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Originally released in 1960, the Neumann U67 is truly an iconic studio microphone and has been used on countless classic records. Its K67 capsule and tube-driven design delivered a smooth top end and present midrange that worked magic on vocals and instruments. The original model also featured a low-cut filter, three variable polar patterns, and a pad switch, making it extremely versatile.
Today, the U67 is still widely loved, and many manufacturers have paid homage to this must-have microphone. Below, we’ll take a look at some of the best U67 microphones on the market today and what makes each of them unique.
This faithful reissue of the legendary U67 is 100% historically accurate in both construction and sound. The classic KK67 Capsule and EF86 tubes both meet the original specifications, so they can be swapped with true vintage components without issue. Prized for its outstanding authenticity, the Neumann U67 is still the desert-island mic.
The Wunder CM67 has a two-piece back plate that allows both diaphragms to be tuned individually and matched for equal response. Compared to the Mylar rings on the original U67, the CM67 uses white porcelain-mounted rings, which are more elastic, durable, and resistant to thermal shock. The CM67 also comes with your choice of tube: a Telefunken EF86 for emphasis on the highs, or a vintage special select Phillips EF86 for more warmth, making this mic almost like having two in one.
A highly accurate recreation made using response charts from the 60s, this iteration of the classic U67 offers some added versatility with nine remotely selectable polar patterns from omni to bidirectional. Equipped with a pressure-gradient center-terminated capsule, the P-67 is less sensitive to plosives, and when the -10dB pad is engaged, it can handle up to 148 dB SPL, making this mic a solid choice for loud sources like drums or guitar amps.
Neumann has created something special with the transformer-less solid-state TLM67 microphone, utilizing FET circuitry to recreate the classic tube sound. This alteration allows for lower self-noise and a more approachable price point than the original. The frequency response is nearly identical to the U67 and still uses the highly sought-after K67 capsule.
If one classic mic is good, then two are great, and four are even better. The B67-269 offers authentic voicings of both the U67 and M269 designs via the flip of a switch. For even more versatility, the New/Old switch lets you toggle between two tube voicings for each mic type. In “Old” mode, you get true vintage voicing, while “New” mode offers enhanced low-mids and air for a more modern sound. It also includes a built-in pad, a high-pass filter, and a dedicated broadcast filter to help you sculpt your sound.
While not a direct reproduction of the original U67, the TF39 Copperhead uses the same K67-style capsule and delivers a similar sound with a balanced, natural midrange, subtle high-end, and extended low-end. Equipped with a new-old-stock American-made 5654W vacuum tube and a premium Swedish-made Lundahl output transformer, the TF39 offers a fresh take on the classic U67.
Designed by David Royer, the MA-200 features a hand-selected, gold-sputtered capsule based on the classic K67. Jensen audio transformers are paired with military-grade JAN 5840 vacuum tubes, providing a smooth vintage-style sound without any harsh overtones. With a fixed cardioid pickup pattern, it’s a great choice for recording vocals.
An homage to the original U67, the UT Tube67 pairs NOS EF86 tubes with the brand’s proprietary K67 UT series capsule for a warm, intimate sound. The most unique feature about this mic is its switchable Air Modification, which not only adds a stubble top-end lift but also reduces transient peaks in the high-frequency range, similar to a de-esser. United really went the extra mile with the transformers in this mic, which are custom-wound, US-made, and built using the same laminate as the original parts.
Designed by David Bock, the Bock 167 is a fresh spin on the iconic U67. It combines a classic K67-style capsule, Lundahl transformer, and NOS EF732 tube with modern features like onboard EQ filtering options and a dedicated ‘Fat’ switch for boosting low-end between 10 Hz and 400 Hz.
With a custom K67-style capsule, EF86 tube, and Swedish Lundahl transformer, the WA-67 is an excellent take on the classic U67 design. It’s also one of the most affordable options on the list, making it a great choice for folks working with a budget.
While not a direct reproduction of the U67, the Soyuz 017 features a custom S17 capsule based on the legendary K67. Both models come equipped with a proprietary transformer wound in-house, while the 017 Tube also incorporates a military-grade 6ZH1P tube, giving it a graceful top end, a warm midrange, and full low-end. The FET model captures transients somewhat faster and with a tighter response, while the tube is smoother, adding a touch of warmth and subtle coloration.
Modeling microphones are another great way to capture the sound of the legendary U67. Universal Audio’s Sphere DLX and LX offer two faithful emulations (LD 67 and 67 NOS), while the Antelope Audio Edge Solo, Duo, and Axino include the Berlin 67. Finally, the Slate Digital ML-1A features the FG-67 emulation, based on the U67.
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