Buyer's Guides

Sometimes, the best way to work is also the simplest. Instead of patching together a separate preamp, EQ, and compressor, why not grab one box that does it all? That's the beauty of a great channel strip. Whether you're tracking vocals, recording live instruments, or adding the finishing touches to a mix, the right channel strip can save you time and make your recordings sound better. Continue reading →

The humble equalizer is one of the most powerful tools in any studio. Whether you’re shaping a vocal, cleaning up a muddy mix, or adding that final bit of polish, the right EQ can make all the difference. But with so many options out there, it can be tough to know where to start, especially when you're working within a budget. That's why we put together this guide to the best EQs for any budget. Whether you're picking up your first hardware EQ or adding a high-end mastering unit to your rack, there's something here for every studio and every price point. Keep scrolling to find the perfect EQ for your setup. Continue reading →

When you’re working in a large control room, you need studio monitors that can fill up the space. Nearfields that deliver pristine detail at arm’s length can start to sound thin and strained when you're pushing them across a room full of gear for the clients on the couch. That's where mid- and far-field monitors come in. Designed for larger rooms and longer listening positions, these speakers typically feature three-way designs with dedicated low-, mid-, and high-frequency drivers. Whether they’re mounted on stands behind a console or soffit-mounted into the wall, these systems provide the extended frequency response, higher output, and expansive sweet spots needed for critical listening in large spaces.  Continue reading →

Originally released in 1960, the Neumann U67 is truly an iconic studio microphone and has been used on countless classic records. Its K67 capsule and tube-driven design delivered a smooth top end and present midrange that worked magic on vocals and instruments. The original model also featured a low-cut filter, three variable polar patterns, and a pad switch, making it extremely versatile. Today, the U67 is still widely loved, and many manufacturers have paid homage to this must-have microphone. Below, we’ll take a look at some of the best U67 microphones on the market today and what makes each of them unique.  Continue reading →

For over 60 years, the legendary EMI recording consoles built at Abbey Road Studios have shaped the sound of popular music. From The Beatles to Pink Floyd, these historic desks captured some of the most influential recordings in history. But for decades, these classic EMI designs remained out of reach.  That changed when Chandler Limited partnered with Abbey Road Studios to develop the REDD Mixing System, the first new EMI recording console released in over 50 years. After six years of meticulous development, Chandler Limited has brought the iconic sound of REDD, TG, and RS desks into the modern era with a fully modular system that lets you build your dream console from the ground up.  Continue reading →

When it comes to immersive audio, there’s a lot to consider: software, speakers, monitor calibration tools, and of course, an audio interface at the center of it all. But what exactly does an interface need to support an immersive mixing system? Ultimately, it depends on your needs, budget, and space, but the short answer is plenty of outputs to support your speaker array, and ideally, some integrated software support for immersive mixing. Continue reading →

A great recording starts at the source, but the first link in the signal chain is just as important. Sometimes you need the clarity and detail of a condenser microphone. Other times, you need the high-SPL capabilities or biting midrange of a dynamic mic. But sometimes, you need something to take the edge off; that’s where ribbon microphones come in. Ribbon microphones have a special place in recording history. They’ve been trusted in studios and broadcast rooms for decades because of their smooth tone, natural response, and warm character. They're particularly good at taming bright or harsh sources, making them favorites for everything from screaming guitar amps to brilliant brass instruments.  Continue reading →

Large diaphragm condenser microphones are the heart and soul of the modern studio. From lead vocals to acoustic instruments to room mics, these workhorses have shaped the sound of countless classic records. They’re known for their clarity, detail, and that larger-than-life presence. Of course, not everyone has the budget for a vintage U47 or ELA M 251. Thankfully, today’s microphone makers are building outstanding large diaphragm condensers that deliver professional results at far more accessible price points. With thoughtful designs, high-quality components, and modern reliability, these mics punch well above their weight. Continue reading →

The Telefunken ELA M 251 microphone, introduced in the early 1960s, has become one of the most beloved microphones in recording history. Known for its clear, sparkling highs and warm midrange tones, this legendary tube microphone quickly became a favorite for recording vocals, orchestras, and acoustic instruments. The 251's unique brass capsule, tube electronics, and transformer-balanced output created a smooth and open sound that has been used on countless classic recordings. Continue reading →

A great vocal recording starts with a great performance, but the right EQ can help take your track from demo-quality to perfectly polished. Whether you’re cleaning up low-end rumble, adding some bite to the midrange, or adding a little touch of air on the top end, EQ is a vital tool in shaping hows vocals sound and feel. But with so many EQs on the market, how do you choose? Some EQs are surgical tools, offering precise control and transparency. Others are paintbrushes, adding color, musicality, and that elusive “vibe” that can bring a vocal performance to life.  Continue reading →