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The Apogee Symphony I/O MKII Thunderbolt is the most powerful multi-channel audio interface for Thunderbolt-based Mac workstations. Designed for the home or professional studio running Logic Pro X or any other native based DAW, this system offers your choice of 4 different base I/O configurations with the option to expand up to 32×32 simultaneous channels per unit while still maintaining incredibly low latency.
Mixing for Dolby Atmos and other immersive 3D formats is rapidly becoming an essential skill for the modern creator and engineer. As streaming services highlight immersive content and record companies require immersive audio deliverables, you may be asking yourself “how do I get started”?
With Symphony I/O Mk II Thunderbolt’s Monitor Workflows, you’ll effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio and other immersive audio systems with control of up to 32 Speaker outputs.
Within each Monitor Workflow, you design the audio flow from your DAW outputs, Symphony internal mixers and hardware inputs to your expanded speaker array. Use these features to customize your Workflow:
PLUG AND PLAY ATMOS WITH LOGIC PRO X
Getting started with Dolby Atmos has never been easier using Logic Pro 10.7 and Symphony I/O Thunderbolt! In the past, setting up your Dolby Atmos studio was a multi-day affair, but now it’s plug and play with the latest from Apple and Apogee.
With such flexible monitor controller functionality incorporated at no extra cost for current and future owners, Symphony I/O Mk II Thunderbolt makes the best cornerstone of your Dolby Atmos or other immersive audio studio.
Symphony I/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals.
Symphony I/O Mk II Thunderbolt relies on Apogee’s proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Symphony I/O’s ultra-low latency means no longer having to choose between power and speed.
To accommodate different workflow preferences, Symphony I/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency.
Symphony I/O Mk II Thunderbolt’s custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU.
The DMA engine, running on Symphony I/O Mk II Thunderbolt’s hardware logic chip, increases the driver’s efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience.
Symphony I/O Mk II features Apogee Network Control Software. Apogee Network Control gives you remote, software access to all Symphony I/O Mk II settings. From your computer you can calibrate all channels, set output monitor levels, select analog level type, adjust mic-pre gain and more. Drag and drop setup and color coding let you create custom view that let you see up to 6 devices in a single window. Apogee Network Control works on macOS and Windows 10 computers and is compatible with the Apogee Control hardware remote.
Apogee Symphony I/O Mk II 16×16 Special Edition offers the highest quality AD/DA conversion of the Symphony series. Offering the ultimate sonic performance for Dolby Atmos and other Immersive audio applications , 16×16 SE takes advantage of the latest advancements in digital and analog audio technology to offer A/D inputs with 124 dB (A) of dynamic range and a THD+N of -115 dB, plus D/A outputs with 128 dB (A) of dynamic range and an astonishingly low THD+N of -119 dB.
16 channels of I/O simultaneously:
|Input Connectors||BNC, Analog DB25, Digital Coaxial|
|Output Connectors||BNC, Analog DB25, Digital Coaxial|
|Clock I/O||In, Out|
|Maximum Sampling Rate||192 kHz|
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