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SKU
112143
$2,095.00
Acme Audio MTP-66 Motown Tube Preamplifier and DI
Premium tube preamplifier and DI with vintage-inspired tones reborn using original 1966 engineering schematics
The year is 1966. Deep in the heart and soul of Detroit, a young, ambitious chief Motown engineer is tasked by legendary producer Berry Gordy to design a better way to record multiple guitar and bass instruments at once, with minimal bleed and no isolation. His solution: the 5-channel Motown input box – dubbed the “Motown guitar amp” by its creator. James Jamerson’s magnificent performances, as well as Dennis Coffey, Bob Babbit, Robert White, Joe Messina and many more, were captured through this circuit from 1966 to 1972, and now, the Acme Audio MTP-66 Motown Tube Preamplifier and DI is available in limited quantities to capture all of your most important tones.
Newest in the series of Acme Audio Manufacturing’s line of faithful recreations of legendary Motown gear, this single-channel lunchbox preamp has been exactingly reborn using the original 1966 engineering schematics, and features an all-tube signal path, with hand selected tubes that drive a Cinamag output transformer. Besides being an instrument-to-line-level all-tube preamp, Acme Audio has added a microphone amp section that is also based on Motown Engineering’s original designs, featuring a fixed gain pentode with the Acme Audio/Triad input transformer. Other key features include adjustable input and output controls (not made available on the original,) giving you the ability to adjust your sound to the desired amount of drive and compression.
Acme Audio’s MTP-66 Motown Tube Preamp is the ultimate mic pre-tube amp on the market. The tone is deeply blissful, incredibly smooth, detailed, and three dimensional, and the MTP-66 promises to become THE preamp for recording bass guitar, vocals, kick drums, snare drums…. The feature pre-amp of any recording studio.
A crucial link in the audio chain is the microphone preamplifier, aka the mic preamp or mic pre. The output level of a microphone is very low and requires amplification to bring it up to line level. That’s what a mic pre does. But a mic preamp can’t drive a pair of speakers; that’s the job of the main amplifier. A key part of the job for a mic pre is to keep input noise to a minimum and to amplify without distortion.
Being the first amplification stage of the microphone signal, the mic preamp is essential to getting a good sound. Choose a poor one and you’ll be working harder to overcome its limitations. Choose a good one and processing your sound will get a lot easier. But what are the differences between average preamps and better ones? Let’s look at some of them. Continue reading →
Vintage King is known for being a leader in vintage analog recording gear, but sometimes an instrument so special comes along that we just have to take notice. Such is the case with this 1964 Gibson Firebird III, previously owned by influential Motown session musician Eddie "Chank" Willis.
Born in Grenada, Mississippi in 1936, Eddie learned to play guitar in the styles of Chet Atkins, Albert King and Wes Montgomery. After finishing school, he moved to Detroit to become part of the city’s bustling music scene. He kept busy with local gigs and session work until Motown founder Berry Gordy came calling and made him a member of the record label’s house band in 1959. Continue reading →
H2 Audio has joined up with Vintage King and Blackbird Studio for an evening of music, fun, food, drinks and some of the finest pro audio gear ever created. You’re invited to join us at Blackbird Studio on Thursday, July 15th, from 6 PM to 9 PM, during the 2021 Summer Namm Show in Nashville.
Come experience H2 Audio’s new line of Helios-inspired production tools and celebrate the release of the brand’s flagship product, the Helios 0011 EQ and Mic Preamp. You can meet the founders of H2 Audio and learn why Helios was the most prominent recording console of the 70s and 80s, and how it left its mark on rock n' roll history. Continue reading →
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