Xhun Instruments IronAxe + LittleOne Bundle - Electronic Delivery

The Xhun Instruments IronAxe + LittleOne Bundle combines their Little Fatty and electric guitar emulator plug-ins.

LittleOne

Xhun LittleOne is a faithful software emulation of one of the most legendary and appreciated hardware analog synthesizers.

In addition to an accurate re-creation of the original signal path, every single component inside LittleOne (oscillators, filter, envelopes, etc.) prove the same original architecture, frequency response and operative range of its analog hardware counterpart, producing a deep, rich and warm sound.

Add to the equation a full rack with a 16-step analog sequencer, a 16-step trancegate effect, two insert/master effects slots and the result is a complete, true-analog-sounding setup within the comfort of a modern digital studio.

Perfection is not of this world. In nature, due to its inherent complexity (and beauty), everything is unpredictable, seemingly - for us - out of control. This makes things so special.

This is true for everything, also for musical instruments. Based on analog electronics components, an analog synthesizer brings within itself all the imperfections of this technology. This is why its sound is so warm and rich.

LittleOne synthesizer is entirely built upon this concept. The adoption of the Advanced Component Simulation (ACS) approach ensures that every component inside LittleOne is simulated preserving its original analog hardware architecture and physical properties - including its own micro-imperfections and instabilities. This means that - playing the same note twice - LittleOne will never produce exactly the same sound. As nature teaches.

This high-end approach assures brilliance, genuineness and depth to the sound.

Ironaxe

The Xhun IronAxe is a high-end Physical Modeling simulation of one of the most popular and loved electro-acoustic instruments of all time: the electric guitar.

The result of many years of research and development, IronAxe reaches all the authentic beauty and expressivity of a real Electric Guitar by simulating the physics of all the acoustic and electronic components found in the original instrument, preserving the same nuances and multi-techniques playability impossible to perform on standard frozen-sounding sampled instruments.

Break with the past - forget all the old, expensive, bulky sample libraries.

Build your custom Stratocaster or Telecaster guitar, choose Pickups type, number and position, set the Tone knobs to get the right sound, select the Plectrum hardness or pluck a String with fingers at any point along its length. Finally take real-time control of all this (and much more...) using a MIDI Keyboard or a real - natively supported - MIDI Guitar.

IronAxe will bring in your next Productions the sound and feel of a real Electric Guitar. And the included full set of analog modeled Stompboxes, legendary Amp/Cabinets and Room Simulation, make IronAxe a perfect tool for advanced guitar sound designing, without the need of additional (and expensive) external software/hardware units.

A full electro-acoustic setup, just at your fingertips.

Modeling Nature and Physics is a growing practice for reaching true-to-life systems simulations with 'alive' feedbacks, including complexity management and unpredictability integration.

While in the past running an accurate Physical Modeling simulation was possible (due to its complexity) only on expensive multi-processor workstations or even computer clusters, today thanks to the exponential increase of modern CPUs' processing power, reaching parity with real instruments is possible in real-time (including polyphony and multi-istances possibilities) at a fraction of the costs.

IronAxe is the first in a series of instruments developed by Xhun Audio to use this revolutionary technology. The core of this kind of approach is the interaction between the Instrument's model, the Performer's model and the Unpredictability simulation.

All the six Strings, the Transducers (Pickups), the Plectrum/Finger excitation and more as well as Performer's actions like Palm Muting, Tapping Harmonics (even muting a String after its excitation is possible) are physically simulated. Add Unpredictability (instrument's and performances' micro-imperfections) to the equation and what you hear at the end of the whole process is given by the interaction of this three worlds.

The result is an 'alive' instrument, a state-of-the-art simulation for an unparalleled realism.