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Please fill out the form below and a Vintage King Audio Consultant will contact you with a ship date for the Whitestone P331 Tube Loading Amplifier.
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The Whitestone Audio P331 Tube Loading Amplifier was developed to bring professional tracking, mix and mastering engineers versatile, elegant, precise and repeatable audio circuit variation. There’s nothing like running a signal through a well-designed piece of analog gear, at “unity” gain without any “processing” applied at all. Simply exploiting the sound of some of these analog input and output gain circuits with processing bypassed is often-times just the thing to bring subtle life or organic size and depth to recorded audio. That’s what the fully balanced P331 is all about; giving you control of how an audio signal passes from input to output and how it can be enhanced throughout its journey.
In 1939, just a few weeks after the start of WWII in Europe, RCA Radiotron introduced the 6SN7 octal (8-pin) double triode tube to the American market. This was the birth of the true common ancestor of all modern double triodes used in high fidelity amplifiers. The 6SN7 is still in production after over 80 years, for good reason.
6SN7 vacuum tubes of the 1940s vintage were chosen for this amplifier due to their lower distortion capabilities that exceed that of the standard and ubiquitous 12A7 variety. The 12A7 varieties were incarnated due to commercial needs such that they were “better, cheaper, lighter” at the expense of embodying more distortion. With the advent of feedback, tube amplifiers could be mass produced with these less expensive 12A*7 style tubes using more feedback to reduce distortion.
While feedback reduces distortion, it also lowers overall amplifier gain. It might have been considered heresy to reduce the gain through feedback (and reduce distortion) in earlier tube designs since minimal gain was still extremely expensive prior to the 1950s. Thusly, earlier tube designs were lower distortion on purpose; especially for their critical role in modulation based communication systems that had more stringent requirements than the average 1950s guitar amplifier tube.
Notwithstanding, ultimate circuit topology can bring out more second harmonic characteristics than usual with any tube design. Hence the impetus for the variable circuit topologies within the P331 Tube Loading Amplifier to allow the user to do so as necessary or not at all.
For any amplifier to be truly great you have to start with good clean power. The P331’s linear power supply is the most critical “component” for audio integrity next to the actual gain structure and circuit topologies within this amplifier. High voltage plate/anode tube power supplies start at around 320V DC and are filtered (up to 6 times) and smoothed with active regulators. It only uses film capacitors and real inductors (chokes) to remove ripple and noise from the high voltage power supplies.
We’ve taken the very best of vintage analog technology and married it to the best of modern computer-optimized circuit design. This allows a level of precision and clarity which was simply unimaginable when tubes of this vintage were originally developed.
The P331 is full digitally controlled analog. Each parameter is fully repeatable and can be recalled via front panel rotary and toggle switches commanding over 80 sealed precision relays. No audio runs to the P331’s front panel and only the finest components are used throughout the audio path.
The LOADING circuit is part of the fully differential (balanced) Class-A tube amplifier. It was designed to coerce an audio signal to hit the tube at different points on its response curve. As the gain increases through the tube, the signal is padded down in equal measure. This helps to ensure minimal audible level gain or loss, allowing you to audition the enhancement the tubes are imparting without drastic changes in level.
There are two modes of operation for the LOADING circuit.
The LIFT circuit is a gentle parallel filter that enhances the highs, lows or both the highs and lows of the signal. Audio passes through the LIFT circuit before the LOADING circuit. With any of the LIFT filters engaged, the audio is passed unscathed through the fully balanced P331 circuitry and blended with harmonic content of the LIFT and LOADING circuits working in concert.
The P331 is designed to run fully transformerless in its default state. This provides the purest, cleanest and most unaffected audio path through the unit. However, in keeping with the P331’s versatility, the operator may switch in output transformers and select two optional settings to load them in different ways. This provides additional options for enhancing the subtle textures of recorded audio.
To faithfully reproduce the sound of the audio passing through the tubes and other circuits in the P331, we implemented a low distortion, fully balanced solid state amplifier for the output gain section. The output gain circuit offers 11 dB of boost or cut in 1 dB increments. However, for even finer control, the “Resolution” switch allows the operator to “back-off” 0.25 dB or 0.5 dB from the current setting.
Each section of the P331 (with the exception of the Loading circuit) can be fully hard-wire bypassed. There is also a global hard-wire bypass to remove the entire unit from your signal chain…although, we’re fairly confident you won’t want to use it much.
Great piece. Adds vibe while remaining very transparent...
I count myself fortunate to have discovered this impressive piece of mastering gear. I've only had this for a few short weeks with holidays plugged in so I do not have a large number of hours with it at this point. I can say that the opening and euphoric enhancement is subtle, extremely clean and transparent. I would go so far as to say that if used properly can certainly take your mastering to a level you didn't know was possible due to its variable settings. My other tube gear has a more less fixed tube effect where the P331 is vastly adjustable. The P33l has found a permanent place in my default mastering chain into my preset routing. At this point with limited hours of use I can and will highly recommend this to the serious music mastering engineer. Respectfully, Larry Anthony COS Mastering Atlanta, GA
The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the Whitestone P331 Tube Loading Amplifier . Once you submit your review, please check your email and verify your address to have it posted.
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