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TK Audio BC1THD Stereo Bus Compressor
Stereo bus compressor with three HPF frequencies and THD function adding more even harmonics
The TK Audio BC1THD provides smooth bus compression that applies for both mixing and tracking.
Engineers call it “The Magic Glue” when the BC1-THD’s transparent compression strengthens mixes without compromising clarity.
The built-in blend control makes it easy to apply parallel compression by adjusting the blend of dry and compressed signal. A switchable sidechain filter can be applied which makes the BC1-THD less responsive to low-frequency energy. The THD function adds more harmonics to the signal and the “grab” mode selects a harder threshold knee on all four ratio settings. Smooth and transparent compression will never go out of fashion.
Three HPF frequencies
THD function that adds more even harmonics
Grab function that selects a harder threshold knee
The phrase "If these walls could talk," gets thrown around a lot, but if the surroundings at Gold-Diggers spoke up, we'd be all ears. Whether the location served as Ed Wood's movie set, Slayer's practice space or the home to LA's finest exotic dancers, something interesting has always been going down at 5632 Santa Monica Blvd.
That continues to remain true today, as recording studio owner Dave Trumfio recently took over the space and has built out an extremely unique complex. The facilities at Gold-Diggers now include state-of-the-art recording facilities with nine studios and large sound stage, a bar/live music venue, and rock star-worthy hotel. Continue reading →
Serge Espitia is a mastering engineer out of Maplewood, New Jersey. With over a decade of experience in the music industry, he has spent time working in some of the most recognizable studios in the world, including Blue Jay Recording in Boston, and East Side Sound, Stratosphere Sound and Masterdisk in New York.
In 2011, Serge began putting together his own Brooklyn-based studio space under the banner of Tiny Thunder Audio. Eventually, he headed to New Jersey and shifted focus from tracking and mixing to predominantly mastering.
Recently, we sat down to talk with Serge about the history of Tiny Thunder, his philosophy on mixing vs. mastering, and some of the gear choices that he’s made for his studio. Continue reading →
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