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The Three-Body Technology Tear Of Land is a wind instrument with deep vacant sound. It has a history of about seven thousand years. The earliest unearthed items can be widely found in many archaeological sites, such as the Hemudu site, the Zhaobaogou relics, and the Banpo site of Yangshao relics. Xun usually has an egg- or pear-shaped body made of pottery, with one blowing hole on top and multiple finger holes along one side. Xun is a component of aulic and ritual bands in Ancient time. However, its use has been discontinued due to the turmoil in the late-19th and early-20th centuries. In the 1980s, Xun playing was revived by archaeologists and artists, and nowadays, it is commonly used in historical topics with murky or falling scenarios.
In order to retain greater adjustability, Third-Body designed three tones of Yin, Yang and stereo before the recording stage; in the recording stage, this design is achieved by choosing different microphones and positions; finally, Third-Body fully reserve these four channels (yin and yang are mono) to the sound source. Compared with simple EQ adjustment, this design brings more complex changes and adjustability
Third-Body Thechnoligy developed sampling engine with new fusion technology and designed specifially for their virtual instruments. Offering better sound quality and more powerful disk buffer streaming/sampling compression.
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