JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser.
Stock up on studio essentials before your next session. Explore top selling gear from the best brands.
Checkout using your account
This form is protected by reCAPTCHA - the Google Privacy Policy and Terms of Service apply.
Checkout as a new customer
Creating an account has many benefits:
(0)
Free Tech Support
Free Electronic Delivery
Our friendly and knowledgeable sales team is here to support you before, during and after your purchase.
This software item will be delivered via a code sent to your email. Once you receive the code, simply visit the manufacturer's website and download your software.
In Stock - Fastest eDelivery 24/7!
The Three-Body Technology Lost Soul is a Chinese vertically played, membrane-less wind instrument and is made from a bamboo stem. With its serious and deep sound, Xiao is traditionally used in ritual music. In contemporary music, Xiao is often used in Chinese fantasy themes. Although the music played on the Xiao is usually slow and gentle, it is also good at reproducing heavy emotions through airflow attack and vibrato.
There are three main varieties of Xiao: Dongxiao is what Three Body Tech presents with Lost Soul; Nanxiao, with a deeper sound, which is widely used in southern China; and Qinxiaom which has a softer sound compared to the previous two and is used specifically to accompany guqin (a 7-string plucked instrument).
When Third-Body began initial design for Raindrop & Blade, what they had in mind was not only recording the actual Yangqin, but also presenting a more artistic sound through Third-Body's work in recording, mixing and adjusting. Third-Body also want its tone to be more flexible, adapting various genres, so you can use it in video games, films, pop music, or traditional Chinese music, even EDM. So Third-Body decided to record using multiple microphones and keep it that way in the actual software, in order to provide users more customization.
Third-Body used two parallel microphones, known as “A-B technique”, for near-field recording. For mid-field, the distance between the two microphones is nearly 8 meters (26 feet). It’s a bold move for an instrument has the size like Yangqin, but this is the only option for Third-Body to get the sound they prefer. These two microphones are in the actual software. By adjusting their distance and proportion, you’ll get the diverse sound they talked about. 20 different microphones have been tried during recording sessions. Third-Body choose a pair of Chinese brand microphone among all the classic brands! Yes, they’re shocked as you are. But the performance was so awesome as it highlights the “taste” of bamboo and wood from Chinese Yangqin. The feel of Chinese is amazing!
In order to retain greater adjustability, Third-Body designed three tones of Yin, Yang and stereo before the recording stage; in the recording stage, this design is achieved by choosing different microphones and positions; finally, Third-Body fully reserve these four channels (yin and yang are mono) to the sound source. Compared with simple EQ adjustment, this design brings more complex changes and adjustability
Third-Body Thechnoligy developed sampling engine with new fusion technology and designed specifially for their virtual instruments. Offering better sound quality and more powerful disk buffer streaming/sampling compression.
Windows
Mac
Extra Requirements on Specific Hosts
* Required Fields
The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the Three-Body Technology Lost Soul . Once you submit your review, please check your email and verify your address to have it posted.
exclamation-circle
