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Who needs analog level control?
Simply put—most DAW (Digital Audio Workstation) users. A majority of D/A converters and sound cards provide nothing in the way of analog level monitoring control, and this means the necessity of varying signal levels at the converter outputs. The result is a lowered bit rate in the monitoring signal, which can lead to commensurate loss of audio quality. A further, very interesting application area is in the construction of a straight, audiophile-quality stereo playback chain, where the SPL Volume 2 is situated between the playback machine and either power amp and speakers or simply active speaker system. In such cases, the playback machine must offer analog outputs. This provides for minimal financial and electronic efforts through the most direct possible playback path.
Additional Reasons for employing the Volume2
High quality balancing stages with extremely good common mode rejection (minimize interferences and disturbances in the signal paths)
The mute switch allows for very fast reaction times in cases where loud speakers or ears should be protected (for example, with computer crashes)
Users of analog summing without monitoring facilities can cost effectively improve their systems
The Volume2 is built only with analog circuitry and performance, and its high quality parts in sophisticated circuitry design are prerequisites to superior audio quality:
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