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Product Description
SPL is constantly pushing analog signal processing to its limits by combining the best possible components with perfectly optimized circuit design. As our latest achievement in this ongoing process, The SPL PQ Mastering Edition pushes hitherto accepted limits of audio signal processing and combines truly unparalleled analog sound quality with the control and convenience of digital units.
Further High Gain projects are in planning, including a microphone preamplifier and a compressor, although no availability projections can be made for these currently.
Further High Gain projects are in planning, including a microphone preamplifier and a compressor, although no availability projections can be made for these currently.
Product Specifications
| Condition | New |
|---|---|
| Tube or Solid State | Solid State |
| Channels | Dual-Channel |
| Chassis | 19-inch Rack-mount |
| Rack Spaces | 3U |
| Digital I/O | No |
| EQ Type | Parametric |
Related Blog Posts
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Studio Spotlight: Tiny Thunder Audio
01.07.2021Read More
Serge Espitia is a mastering engineer out of Maplewood, New Jersey. With over a decade of experience in the music industry, he has spent time working in some of the most recognizable studios in the world, including Blue Jay Recording in Boston, and East Side Sound, Stratosphere Sound and Masterdisk in New York.
In 2011, Serge began putting together his own Brooklyn-based studio space under the banner of Tiny Thunder Audio. Eventually, he headed to New Jersey and shifted focus from tracking and mixing to predominantly mastering.
Recently, we sat down to talk with Serge about the history of Tiny Thunder, his philosophy on mixing vs. mastering, and some of the gear choices that he’s made for his studio. Continue reading →
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