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The EastWest Symphonic Production Bundle combines two award-winning virtual instruments Symphonic Choirs and Symphonic Orchestra into one comprehensive toolkit for creating epic, cinematic soundscapes.
Imagine typing words into your computer, in any language, and hearing a world class choir sing them in any key you play into your session. Recorded in the same concert hall as EastWest’s Symphonic Orchestra, these two blend together cohesively to form a powerful set of tools to recreate a large-scale ensemble in any song. Symphonic Choirs gives you the ability to separately control every section of a conventional chorus, with the addition of a boys choir. Created with film and video game composers in mind, the adjustable mic positions allow you to easily design the exact stereo image that will have the maximum impact on your mixes.
The versatile Wordbuilder present in Symphonic Choirs can reproduce virtually any words typed into it and play them back seamlessly with the power and grandeur of any entire chorus. You can type single words or entire phrases into the interface and control the exact length of each component sound (consonants, vowels, etc.) in a dedicated timeline. The greatest utility of this library is the ability to have incredibly fine control over every aspect of the vocal performance.
Recorded by 11-time Grammy nominated classical recording engineer Prof. Keith O. Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA was honored with Sound On Sound's Reader's Choice Award an unprecedented 3-times, and the very first orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform. Every detail of the recording hall is captured with incredible precision and detail, adding realism and shimmer to every note. You can create convincing orchestral performances with very little time and effort, and the natural ambience will make it feel as though the instruments are playing back live.
To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions: close, stage (conductor‘s position) and hall. By selecting different mic positions, you can mix these sounds together to create virtually any placement or level of depth desired. This all but eliminates the need for artificial reverb, drastically cutting down on the amount of time you spend getting your ambience settings just right. Every major adjustable feature can be controlled from a single interface, including reverb, mic positions, filtering, and section volume. If you’re looking for warmth and the ability to easily manipulate nearly any aspect of the instruments’ performances to your heart’s content, Symphonic Orchestra gives you every tool you need in one place.
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