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$
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.00
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37
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Msrp:
$
436
.00
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36 months
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SKU
9084
Shure SM81 Cardioid Condenser Instrument Microphone
Unidirectional Cardioid Condenser Microphone. Includes Foam Windscreen
MFR# SM81-LC
Product Description
The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.
The SM 81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.
The Shure SM81 Features:
- 0 Hz to 20 kHz frequency response
- Flat response curve for accurate reproduction of sound sources
- Low noise and high output clipping level
- Low distortion over a wide range of load impedances
- Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds
- Low RF susceptibility
- Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff
- 0 dB/10 dB lockable attenuator switch
- Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
- Rugged steel construction for durability
- Field-usable over wide range of temperature and humidity conditions
Product Specifications
| Condition | New |
|---|---|
| Package Contents | Includes windscreen |
| Length | 8.34 in |
| Diameter | 2 in |
| Unit Weight | 0.5 lb |
| Tube or Solid State | Solid State |
| Transducer Type | Condenser |
| Polar Pattern | Cardioid |
| Number of Microphones | Single Microphone |
| Phantom Required | Yes |
| Impedance | Output: 150 Ohms |
| Frequency Range | 20 Hz - 20 kHz |
| Sensitivity | -45 dBV/Pa (5.6 mV) |
| Max. SPL | 136 dB |
Related Blog Posts
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A Dozen(ish) Best Microphones For Recording Drums
07.11.2023Read More
Recording drums is equal parts art and science, and there are no hard-and-fast rules. Much like cooking, personal taste and the genre of music are really much of the context that the recording has to be executed in. One could say beauty is in the ear of the beholder. Below is a compilation of some favorited and tested microphones for recording drums. While applications and techniques vary, and depending on the room, these might be an alternate take on anyone’s current go-to’s. So if a starting point is the goal, or a fresh approach to miking drums is desired, then the following will help or at least make a healthy start to building out that coveted mic locker. Continue reading →
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