The Shure Beta 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).
Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
Requires no external mounting or accessories for ease of use and storage
Furnished with zipper pouch
Type: Electret condenser
Frequency Response: 2 to 20,000 Hz
Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
Rupert Neve Designs is celebrating its 15th year in pro audio by dropping a few new releases that will have engineers salivating. Earlier this month, the Texas-based brand announced its Master Buss Converter and we're excited to say that today brings us the launch of the 5254 Dual Diode Bridge Compressor. Before we get into our demo video that includes both pieces of gear, let's talk a little about what's going on with this new equipment.
Let's start first with the 5254 Dual Diode Bridge Compressor. Rupert Neve got his start making diode bridge compressors in the early 1970s and these designs have become known for bringing warmth and acting as the glue on mixes. The only issue when using a diode bridge compressor in the modern studio is that the controls can be slightly limiting (pun not intended). Not the case anymore, thanks to Rupert! Continue reading →
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