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No matter the size or layout of your Rupert Neve Designs 5088 analog mixing console, you’re getting the best-sounding mixer in the world. It’s not about "what configurations are available" – it’s about deciding how you want to work, and building a 5088 to suit your needs.
Please note: 5088 consoles are custom-built to order and feature a number of customization options including:
Check out our 5088 Buyer's Guide and put together the perfect console for your studio!
Shopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio. Finding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.
No matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling 888.653.1184 or you can email us.
At its core, the Rupert Neve Designs 5088 is an expandable 16 channel line mixer that provides 8 group busses, 8 auxiliary sends, 4 stereo effects returns and a stereo output buss. That basic functionality of input and output routing, meters and faders provides the foundation upon which you can build a console to satisfy your own particular requirements; adding microphone preamplifiers, equalization and dynamics processing – or even more input channels – to suit your facility's needs. And as your studio grows, your 5088 can grow with it. Add stereo input modules, automation, more mic preamps or processing, a producer panel or other custom metalwork…the sky's the limit.
The 8 Channel 5088 was developed for those needing the absolute highest analog quality available for remote or small ensemble recording such as classical or live jazz and acoustic performances. This option provides for 8 channel modules (Mono or Stereo), 4 Buss Outputs, 4 Auxilliary Sends and 2 Stereo FX Returns, and a master section. The penthouse for an 8 channel frame has 16 total slots. Some clients may wish to install 5059 Satellite or 5057 Orbit summing mixers in the penthouse for increased mixing functionality in a small footprint. Note: though 16 channel expansions may be added to the 8 channel frame, this configuration permanently limits the amount of groups and auxes to 4, and reduces the FX returns to 2.
MONO INPUT CHANNELS
Beyond its exceptional sound quality, the 5088 channel strip is designed to effectively handle multiple normalled sources, creating master, group and aux mixes with great efficiency. With 8 auxes, 8 "Groups", "Solo", "Mute", "Send Follows Pan", "Aux to Group", a transformer-coupled direct out and optional motorized fader automation on each channel, even the most complex mixes are within reach. Starting in 2025, labels previously marked as TAPE, LINE, and BUSS inputs now read TAPE, LINE, and LINE 2. Functionality has not changed and is consistent with all previous 541 Mono Input Channel modules.
STEREO INPUT CHANNELS
In lieu of mono input channels with selectable Line 1/Line 2 Inputs, Stereo Input Channels can be fitted to increase the channel count without having to add an expansion chassis. The Stereo Module has all of the group sends, six auxes, individual trims and pans for each channel, plus direct outs for both the Left and Right channels, and a powerful stereo width control. This is an ideal upgrade for smaller consoles that will often be handling stereo stems from the DAW. As of 2025, the Stereo Input Channel Module now includes direct outs for both the Left and Right channels. The model number has also been updated from 551 to 552.
With 4 pairs of FX returns and aux master controls, alongside high-quality 100mm faders, direct outs and transformer-coupled inserts for each of the 8 mix groups, the group master section provides the medium to control 4 stereo stem mixes while tying together an entire array of channel strips. If necessary, the insert returns and stereo FX returns can be used as an additional 16 inputs for summing.
The monitor master section has 6 source selections, 3 transformer-coupled speaker outputs, talkback, oscillator controls, 2 large VU meters, stereo inserts, stereo level, and control room master level: the iconic big red knob. As with all the other modules, anodized aluminum knobs provide the solid feel and response required for precise adjustments.
The standard 16-channel master section penthouse has 25 slots for vertical modules: one above each channel, plus 9 above the group/master sections. Depending on a studio's needs, any combination of Shelford 5053 Transformer Gain Mic Pre + Inductor EQ, Shelford 5052 Mic Pre + Inductor EQ, 5051 Inductor EQ + Compressor, or 5022 Dual Mic Preamp modules can be added to the penthouse. For example, a studio exclusively doing mix work could configure a penthouse with only EQ/compressors and no mic preamps at all; or a small production room could short-load a console with preamps above the first 8 channels, and compressors above each of the groups. This approach allows you to avoid the large costs and redundancies found in nearly every other console.
As an option, any 5088 configuration may be outfitted with a VU meterbridge at an additional cost. The meterbridge features finely calibrated and extremely precise meters for all input and group channels, and can be secured either directly on top of a standard 5088 frame, or to the top of a penthouse rack.
SwiftMix 2.0 is the latest version of RND's moving fader automation system. This system includes motorized, touch-sensitive and high resolution faders in both mono or stereo configurations, support for up to 64 channels of automation, and updated software, complete with a control plugin that allows all console automation data to be stored within each DAW session.
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