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The Royer R-121 Live is a ruggedized version of the popular R-121 ribbon microphone. The studio R-121 is tough and has been used on the road for years, but the increased durability of the R-121 Live gives FOH engineers greater confidence in the ribbon standing up to the rigors of the road.
The R-121 Live's output level is comparable to a dynamic mic, and it delivers the warm, realistic tone that only a ribbon mic can. Along with it's smooth, natural response, the R-121 Live virtually eliminates the shrill high-end often associated with live guitars and brass. Push up the faders and there's the instrument in all its fullness and natural glory, minus the peaky highs that FOH and Monitor engineers spend so much of their careers fighting.
The R-121 Live is visually differentiated by its red logo. The ribbon element thickness is increased from 2.5 microns to 4-microns, giving the microphone greater durability and a slightly reduced high end response. Highs are often rolled off in live performances, but due to the R-121 Live's exceptionally smooth high frequency response, it needs far less eq'ing than is usually required with condenser and dynamic microphones.
The R-121 Live is backed with Royer's lifetime warranty to the original owner, and the first re-ribbon is free. As with any high end microphone, proper storage during transit and careful handling during setup and breakdown is key to keeping the microphone in good working order.
The R-121 Live's pickup pattern is figure-8, which can be used to control stage bleed with great effect. Side rejection in the null points is strong - position the mics "ears" to face the offending instrument(s) and bleed will be virtually eliminated. The top and bottom of the microphone are also null points. If monitors are in close proximity to the rear side of the microphone, a positioning adjustment can place the monitors output in the mic's null, isolating the monitor from the mic's pickup areas.
The R-121 Live's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response on high SPL applications. It's an integral piece of the magic of all Royer R-series microphones.
|Package Contents||Includes case, mic sock|
|Unit Weight||0.53 lb|
|Tube or Solid State||Solid State|
|Polar Pattern||Bi-Directional / Figure-Eight|
|Number of Microphones||Stereo Pair|
|Frequency Range||30 Hz - 15 kHz|
|Sensitivity||-50 dBV/Pa (3.2 mV)|
|Max. SPL||135 dB|
|Analog or Digital||Analog|
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