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This bundle features Sonarworks SoundID Reference for Speakers & Headphones included at a special discount! SoundID Reference is speaker and headphone calibration software delivering consistently accurate studio reference sound. In less than 20 minutes you can calibrate your existing studio speakers with the included measurement microphone and calibrate your existing headphones with more than 480 headphone calibration profiles already included in the software as ready-to-use presets. With an applied calibration profile the software sets the frequency response target to be completely flat across all audible frequencies so you can trust that every mix will translate. You can also now make custom adjustments to the target curve in real-time with the new custom target feature.
To round out the package we're also including one of our Value Series 10-foot microphone cables. This mic cable features XLRM and XLRF connections, perfect for connecting microphones to preamps or audio interfaces, monitoring playback via studio speakers and so much more. The 10-foot cable length option ensures that you’re ready for anything that comes your way. At Vintage King, we understand the importance of balancing your budget with the needs of your studio. That’s why we’ve created our new Vintage King Audio Value series of cables. These cables far surpass other options at the same price point while delivering quality audio.
As successor of the Fireface UFX+, the RME Fireface UFX III raises the bar for USB interfaces to a new level: 12 analog I/O channels, 16 ADAT channels, 1x AES/EBU I/O and 2x MADI I/O with 64 channels, as well as MIDI, Word Clock and USB 3.0 connectivity allow an unmatched variety and flexibility for professional studio use. The Fireface UFX III is completed by groundbreaking RME technologies, such as SteadyClock FS, TotalMix, DURec and more.
The Fireface UFX III is based on a newly developed analog and digital board. While the analog board offers, for example, DC-coupled analog outputs as well as new AD and DA converters with improved THD+N value, the digital board also enables interesting new features thanks to updated high-tech components.
The front panel of the Fireface UFX III provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I/O, and a USB port. In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium.
The rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I/O, the two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analog outputs with line level (including XLR stereo monitor outputs) are available. With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O.
Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required. The Fireface UFX III is connected to the computer via USB 3.0. In compatible USB 2.0 mode, all analog and digital I/Os are available, except for the MADI channels. The second USB port on the rear panel is used to connect an optional ARC USB remote control.
Via the digital DURec (Direct USB Recording) recording function, up to 80 inputs and outputs of the Fireface UFX III can be recorded directly to (and read from) a USB storage medium. Therefor DURec uses the integrated DSP which provides stand-alone operation without the need for a computer. The fields of potential applications include stand-alone field recordings, live and rehearsal recordings, or playback of live recordings for virtual soundchecks. The automatic naming of the tracks in the DAW according to the assigned names in the TotalMix FX software proves to be very practical.
With SteadyClock FS the Fireface UFX III features RME's latest clock and jitter suppression technology. Besides further reduced inherent jitter, SteadyClock FS offers extremely effective jitter suppression even at low frequencies on all digital input signals. Also integrated are both the DSP-based TotalMix FX mixer with its comprehensive routing, monitoring and effects options, and the DIGICheck analysis tool, which allows measuring and analyzing the digital data streams to and from the Fireface UFX III with highest precision.
The Fireface UFX III comes with on-board DSP via RME's TotalMix FX which includes Compression/Dynamics, EQ, Reverb, and Delay. For units purchased from authorized RME dealers in The Americas, customers will also receive 3rd Party Plugins from iZotope (Ozone 10 Elements), Scuffham Amps (S-GEAR), Brainworx (Opto-X), Brainworx (BX Masterdesk), and Antares (Auto-Tune Unlimited).
In addition to driver-based USB operation and stand-alone mode (without a connected computer), the Fireface UFX III offers a Class Compliant mode for native operation with Windows, macOS and Linux. As the first RME audio interface with full USB 3.0 support in CC mode, the Fireface UFX III provides all 94 I/O channels driverless. In addition to the use with a computer, the CC mode allows controlling the UFX III via the optionally available TotalMix FX for iPad app.
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The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the RME Fireface UFX III USB Audio Interface with Sonarworks SoundID Reference Software and Measurement Mic . Once you submit your review, please check your email and verify your address to have it posted.
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