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The REMIC Mics V5200LB-WLM comes supplied with a TA5M connector allowing you to connect via a variety of adapters to selected Shure and Sennheiser wireless transmitters providing maximum flexibility to move around on stage in extremely loud live productions. It also enables you to connect the V5200 LB-WLM to a standard XLR wired connection.
Due to the fact that most beltpack wireless transmitters do not provide 48-volt phantom power nor a balanced input stage, the QWLM-series mics from REMIC have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volts.
The LB-WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volts). It delivers a natural, but more "dry" and "woodish" sound response in comparison to the "Studio/Live" model. The "LB/WLM" model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. This model is designed for "extremely loud" live performances, such as folk-rock, pop, rock and metal. Extreme suppression of neighboring instruments and ambient noise. So if you need a microphone with low acoustic feedback response, the V5200 LB/WLM is the answer.
At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard. The V5200LB-WLM is also suitable for other violin related instruments such as Hardanger fiddle, Hardingfele, Nyckelharpa, Drejelire, Hurdy-Gurdy, etc.
All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.
|Tube or Solid State||Solid State|
|Number of Microphones||Single Microphone|
|Frequency Range||10 Hz - 22 kHz|
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