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The REMIC Mics V5401LB-WLM comes supplied with a TA5M connector allowing you to connect via a variety of adapters to selected Shure and Sennheiser wireless transmitters providing maximum flexibility to move around on stage in extremely loud live productions. It also enables you to connect the V5401 LB-WLM to a standard XLR wired connection.
Due to the fact that most beltpack wireless transmitters do not provide 48-volt phantom power nor a balanced input stage, the QWLM-series mics from REMIC have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volts.
The LB-WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volts). The D5401LB model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone that is slightly taller than the D5400 LB.
This model is designed for "extremely loud" live performances, such as folk-rock, pop, rock and metal. Extreme suppression of neighboring instruments and ambient noise.
All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.
|Tube or Solid State||Solid State|
|Number of Microphones||Single Microphone|
|Frequency Range||10 Hz - 22 kHz|
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