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SKU
145330
REMIC Mics C5300LB-WLM Live Microphone for Cello/Violone - Wireless Compatible
Live sound microphone with wireless compatability for cello/violone featuring astonishing high gain before feedback and extreme suppression of ambient noise
MFR# C5300LB-WLM
Product Description
The REMIC Mics C5300LB-WLM supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected Shure and Sennheiser wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions. It also enables you to connect the C5300 LB/WLM to a standard XLR wired connection.
Due to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.
The C5300LB=WLM microphone model is based on the same principle as the normal REMIC C5300 LB Live model, only with a different connector and adapted for lower voltage. It is designed for extremely loud live productions and delivers a natural, but more "dry" and "woodish" sound response in comparison to the "Studio/Live" model. The "LB" model represents the highest suppression of ambient sound-sources ever achieved by a condenser microphone.
So if you need a microphone with low acoustic feedback response, the REMIC C5300LB-WLM for wireless systems is the answer. At the same time, the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone.
Built-In Windshield
The built-in windshield is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. Choosing the variation with the built-in windshield will not change the quality of the microphone in other performance contexts.
Product Specifications
| Condition | New |
|---|---|
| Tube or Solid State | Solid State |
| Transducer Type | Condenser |
| Number of Microphones | Single Microphone |
| Frequency Range | 10 Hz - 22 kHz |
Related Blog Posts
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Buyer's Guide: Remic Microphones
03.26.2021Read More
While there are many pro audio brands creating microphones for a wide array of applications, sometimes you need something that is specifically designed for a certain sound source. Remic Microphones specializes in creating mics that work for a number of classical instruments including violin, cello, double bass, brass and woodwinds.
Throughout this Buyer's Guide, we'll be breaking down Remic Microphones product offerings and explaining the differences between the various model numbers. Before we get into it, let's talk about the history of Remic and how the brand got its start creating tools for capturing classical instruments in both the studio and live settings. Continue reading →
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