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Studio/live clip-on microphone for chamber, classical, jazz or folk concerto bass featuring superior gain before feedback and moderate suppression of neighbor instruments and ambient noise
The REMIC D5401 Studio/Live model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.
The D5401 delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument. High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments. Since there is no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.
All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.
|Unit Weight||0.02 lb|
|Tube or Solid State||Solid State|
|Frequency Range||6 Hz - 23 kHz|
|Sensitivity||-50 dBV/Pa (3 mV)|
Please fill out the form below and a Vintage King Audio Consultant will contact you with a ship date for the REMIC D5401 Studio/Live Microphone for Concerto Bass.
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