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$
700
.00
Your Savings:
$
140
.00
Msrp:
$
840
.00
No interest if paid in full within 12 months
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Special Order
Note: This item may not be returnable or could require a restocking fee. Contact one of our Audio Consultants for more details.
Due to the special nature of this item, we order each unit fresh from the factory, exclusively for you! Lead times may vary so please chat, call or email for up-to-date inventory status.
SKU
141987
REMIC D5401 Studio/Live Microphone for Concerto Bass
Studio/live clip-on microphone for chamber, classical, jazz orĀ folk concerto bass featuring superior gain before feedback and moderate suppression of neighbor instruments and ambient noise
Product Description
The REMIC D5401 Studio/Live model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.
The D5401 delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument. High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments. Since there is no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.
With Built-In Windshield
All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.
Features:
- For studio and live performance of chamber, classical, jazz and folk music
- Superior gain before feedback
- Moderate suppression of neighbor instruments and ambient noise
- For moderate amplification of symphony orchestras, ensembles, bands and soloists
Product Specifications
| Condition | New |
|---|---|
| Length | 3.7 in |
| Diameter | 1.8 in |
| Unit Weight | 0.02 lb |
| Tube or Solid State | Solid State |
| Transducer Type | Condenser |
| Frequency Range | 6 Hz - 23 kHz |
| Sensitivity | -50 dBV/Pa (3 mV) |
Related Blog Posts
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Buyer's Guide: Remic Microphones
03.26.2021Read More
While there are many pro audio brands creating microphones for a wide array of applications, sometimes you need something that is specifically designed for a certain sound source. Remic Microphones specializes in creating mics that work for a number of classical instruments including violin, cello, double bass, brass and woodwinds.
Throughout this Buyer's Guide, we'll be breaking down Remic Microphones product offerings and explaining the differences between the various model numbers. Before we get into it, let's talk about the history of Remic and how the brand got its start creating tools for capturing classical instruments in both the studio and live settings. Continue reading →
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