Ocean Way Audio HR2A Tri-Amplifier Monitor System - Single

The Ocean Way Audio HR2A is a three-way tri-amplified studio monitor system which includes the Ocean Way Tonal Balance Equalization System and Electronic Crossover. It is incredibly accurate for studio recording, and ear-pleasing with perfect reproduction for audiophile installations. Includes custom Ocean Way electronic equalizers and electronic crossover, and is tuned and aligned before shipment.

INCREDIBLE DYNAMIC RANGE AND PERFECTLY MATCHED FREQUENCY RESPONSE

The HR2A monitor system was initially designed as a high definition reference point for discerning engineers sonically judge and decide intricate musical balances for final mixes. What separates the HR2As from other high end audiophile loudspeakers, apart from its use by professionals, is its capacity to provide virtually unlimited dynamic range while maintaining absolutely matched uniform frequency response between channels. The two sides from 1k to 20k typically fall within 1dB of each other creating absolute symmetry in regards to stereo imaging. The HR2As unique 120 degree dispersion coupled with having identical flare rates on both HF and LF horns also allows for a very wide listening window eliminating the narrow "sweet spot" effect. The HR2A also produces extended and detailed low end to 18Hz.

In some circles of the audiophile community, the word "professional" can have a somewhat negative connotation. Prior to the HR2A "Professional" was often synonymous with loud, harsh and a lack of depth of field. The HR2A finally bridges the gap between superb audiophile and accurate professional studio monitors. There is nothing currently manufactured anywhere in the world, at any price that looks, sounds or performs like Ocean Way HR2A monitors. The HR2A integrates brilliant horn designs never fully realized from the late 1950s with exceptional wide bandwidth low distortion drivers and a tri-amplified and equalized electronic package second to none.

From an audiophile or a professional recording engineer’s standpoint, what could be more perfect? The HR2A will reveal things in your best recordings and mixes you may have never heard and provide dynamics you may have not thought possible. If there is a negative aspect to the HR2A it is that poorly recorded music will be revealed, with every nuance starkly evident. From a recording engineer’s standpoint, these are invaluable assets allowing for the best recording and mixes possible and from the audiophile’s standpoint, their best recordings will sound simply exceptional.

DESIGN DETAILS

Most horns have what might be called a signature or definite character to the sound they produce. Generally speaking, the narrower their dispersion the more hornlike they tend to sound. Most horn systems are also crossed over near or actually at their natural cutoff, creating significant response and phase nonlinearities. The HR2A’s completely unique 120 degree 400 Hz horn has unrivaled dispersion and even directivity and quite simply doesn’t sound like a horn. If you measure the HR2A’s frequency response at 0 degrees on axis and compare that to 50 degrees off axis, the curves are virtually identical. And although the HR2A’s horn is flat down to 400 Hz it’s crossed over at 650 Hz allowing for a very smooth transition. Perfect physical and acoustical time alignment between drivers coupled with having high and low frequency horns with identical flare rates creates an absolutely seamless transition. If you stand three feet away from an HR2A, you will hear one complete and utterly natural sound. When you get that close to most speaker systems, you will often hear all their components working separately. When listening to a well-recorded human voice on a pair of HR2As, it virtually sounds like they’re standing in front of you.

OCEAN WAY AUDIO HR2A FEATURES:

• Three-way tri-amplified studio monitor system
• Features Ocean Way Tonal Balance Equalization System and Electronic Crossover
• HF driver with 18,000 gauss magnetic structure and titanium diaphragm with aluminum voice coil, 1-inch throat, 120 degree by 40 degree dispersion and 400 Hz cutoff.
• 15-inch mid bass woofer with 11,000 gauss magnetic structure with an aluminum voice coil, 120 degree by 40 degree dispersion has and 50 Hz cutoff
• 18-inch sub bass woofer with 11,000 gauss magnetic structure and aluminum voice coil
• Over 110 dB SPL at 6 feet 18 to 20 kHz