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The Austrian Audio OC-B6 is engineered to capture the pure sound of a bass drum, empowering the sound engineer or musician to shape and sculpt the sound to their needs and vision. Thanks to its precision and neutrality, users can shape the final result through drum choice, microphone placement inside or outside the drum, and any desired signal processing. Its exceptionally stable and clean performance—regardless of placement—opens the door to new sonic possibilities for bass drums.
The OC-B6 sounds great both inside and outside the bass drum. Whether placed just inches from the beater, near the resonant head, or positioned in front of the drum, it delivers outstanding sonic results. Ideal for studio work where fidelity and accuracy are essential, the OC-B6 also brings a new standard to live bass drum miking by offering the richness of a large-diaphragm condenser in a rugged, stage-ready package—without the fragility typically associated with LDCs. It excels across all musical genres and with any type of bass drum.
Despite housing a large-diaphragm capsule, the OC-B6 remains extremely compact and highly practical. Its rugged construction ensures durability and reliability even in the most demanding live environments—something rare for microphones of this type. Based on Austrian Audio’s original swivel joint design (introduced with OD5 and OC7) the OC-B6 offers 220° rotation for maximum flexibility and accuracy in miking up any bass drum.
The OC-B6 can handle virtually unlimited maximum SPL - performance unmatched by any other condenser microphone on the market. The “B” version of the CKR6 capsule doubles the distance between diaphragm and electrode and features a lower-tuned resonance frequency. The result is enormous headroom and a subtly refined frequency response.
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