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Analog Compressors, Limiters & Dynamic Processors

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Rupert Neve Designs 535 500 Series Compressor
$ 999 .00
or $28 /month for 36 months
IGS Audio One LA 500 Series Opto-Compressor
$ 995 .00
or $21 /month for 48 months
IGS Audio 576 Blue Stripe 500 Series Peak Limiter
$ 895 .00
or $19 /month for 48 months
Warm Audio WA-2A Tube Opto Compressor
$ 949 .00
or $27 /month for 36 months
Rupert Neve Designs Portico 543 500 Series Compressor
$ 999 .00
or $28 /month for 36 months
Black Lion Audio Bluey F.E.T. Limiting Amplifier
$ 999 .00
or $28 /month for 36 months
Acme Audio Opticom XLA-500 500 Series Tube Compressor
$ 905 .00
No interest if paid in full within 12 months
Looptrotter Audio SA2RATE 2 Saturation Module
$ 865 .00
No interest if paid in full within 12 months
IGS Audio S-Type 500 Series VU Compressor
$ 895 .00
or $19 /month for 48 months
Elysia Nvelope 500 Series Impulse Shaper
$ 999 .00
or $42 /month for 24 months
Purple Audio Action 500 Series FET Compressor
$ 825 .00
or $23 /month for 36 months
Drawmer DS201 Dual-Channel Noise Gate
$ 989 .00
or $42 /month for 24 months
Phoenix Audio N90-DRC 500 Series Compressor
$ 849 .00
or $18 /month for 48 months
Pynamic 500 Series Compressor Limiter
$ 899 .00
No interest if paid in full within 12 months
Little Labs LL2A Compressor/Limiter
$ 940 .00
No interest if paid in full within 12 months
Buzz Audio Essence 500 Series Optical Compressor
On Sale!
Special Price $ 849 .00 Regular Price $ 990 .00
No interest if paid in full within 6 months
Drawmer SP2120 Brickwall Limiter
$ 949 .00
or $40 /month for 24 months
Great River PWM-501 500 Series Compressor Limiter
$ 835 .00
No interest if paid in full within 12 months
Spectra 1964 STX 600 500 Series Complimiter and Preamp
On Sale!
Special Price $ 999 .00 Regular Price $ 1,215 .00
No interest if paid in full within 6 months
Pete's Place Audio BAC-500 500 Series Compressor/Limiter
On Sale!
Special Price $ 899 .00 Regular Price $ 995 .00
No interest if paid in full within 6 months
IGS Audio Alter 500 Series Monophonic FET Limiting Amplifier
$ 895 .00
or $19 /month for 48 months
Drawmer DS501 Dual-Channel Noise Gate
$ 899 .00
or $38 /month for 24 months
API 527A 500 Series Compressor/Limiter (Demo Deal)
Special Price $ 999 .00 Regular Price $ 1,135 .25
No interest if paid in full within 6 months
Buzz Audio Essence 500 Series Optical Compressor (Demo Deal)
Special Price $ 879 .00 Regular Price $ 990 .00
No interest if paid in full within 6 months
Pete's Place Audio BAC-500 500 Series Compressor/Limiter (Demo Deal)
Special Price $ 879 .00 Regular Price $ 995 .00
No interest if paid in full within 6 months
Rupert Neve Designs 535 (Demo Deal)
Special Price $ 888 .00 Regular Price $ 999 .00
No interest if paid in full within 6 months
Warm Audio WA-2A Tube Opto Compressor (Demo Deal)
Special Price $ 834 .00 Regular Price $ 949 .00
No interest if paid in full within 6 months
WesAudio Mimas 500 Series Compressor (Demo Deal)
Special Price $ 969 .00 Regular Price $ 1,099 .00
No interest if paid in full within 6 months
IGS Audio One LA 500 Series Opto-Compressor #154/2015 (Used) 1
$ 845 .00
No interest if paid in full within 12 months
Chandler Limited Little Devil 500 Series Compressor #000996 (Used) 1
$ 850 .00
No interest if paid in full within 12 months

30 Items

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Adding dynamic processing to your recording rig is a great way to control the extreme peaks of a performance, and also add attitude and excitement to a vocal, electric guitar, or drum performance.

Compressors are designed to control the dynamics of a performance, particularly vocals which typically have a wide dynamic range throughout a song. They can also be used in parallel to allow a blend between the natural and compressed signal, which can add life to guitars, vocals, or the entire mix. An audio compressor does more than just reduce signal. Oftentimes, just running a signal through an outboard compressor can add warmth and vibe to the recording, and no compression is necessary to achieve that sound. Compressors like the Fairchild 660 have multiple tubes, transformers, capacitors, and wire that signal runs through. Every step of the circuit adds loads of analog warmth, and sometimes a great choice rather than boosting EQ. When looking into compressors, look at both Optical and Discrete options. Optical compressors such as the LA-2A have a fixed ratio, typically 3:1, and fixed attack and release times. You then have the option to adjust the threshold level to when you want the compressor to engage, and a make up gain to add back and signal that was lost with the compression. A discrete compressor has more control, allowing you to adjust the input and output independently, as well as the attack and release controls.

Some audio dynamic processors also provide the ability to gate a signal. With a gate, you can allow the main source to come through, then cut out all the extra bleed coming into the microphone. This is great on a full drum kit, where multiple microphones are used to capture the whole kit, but bleed from each drum is coming into every microphone. With the threshold control, you can allow just the transient of a snare drum to open the gate, then adjust the release and range options to allow the full length of the sound to pass through.

With so many options available, it can be tricky to decide which dynamic processor will work best for you. Our Vintage King sales reps are highly trained with everything we carry, and can surely help find the right audio dynamic or compressor for your recording studio. Contact our team here!

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