48-month financing on our best brands
October Savings | New Ways To Save For Fall 2021

Compressors / Limiters

Compressors & Limiters

Selection will refresh the page with new results
5 Items
View as
Selection will refresh the page with new results
List
Selection will refresh the page with new results
Set Descending Direction
  1. $ 5,699 .00
    No interest if paid in full within 12 months
  2. $ 1,899 .00
    No interest if paid in full within 12 months
  3. $ 2,549 .00
    No interest if paid in full within 12 months
  4. $ 4,799 .00
    No interest if paid in full within 12 months
  5. $ 4,499 .00
    No interest if paid in full within 12 months
Selection will refresh the page with new results
5 Items
View as
Selection will refresh the page with new results
List
Selection will refresh the page with new results
Set Descending Direction

Dynamic processors are an engineers secret weapon, they not only offer control of extreme peaks of a performance, they also add analog warmth and vibe to anything you run through it.

There are a few different style compressors to be aware of. Optical compressors, such as the LA-2A, are often described as “smooth” and “warm”, and usually a go to compressor when tracking vocals. They have fixed attack and release controls, as well as a fixed ratio, typically 3:1. They are typically equipped with two controls, threshold and make-up gain. The threshold control allows you to adjust the point of when the compressor will engage. The makeup or output dial is to add back the gain that was lost in the compressor's gain reduction. Optical compressors come in solid state, and tube versions.

Discrete compressors, such as the 1176, provide a few more control functions, and are often referred to as “aggressive”, but they can be used subtly to achieve a warm, smooth sound. They have independent controls of attack and release to dial in to the rhythm of the song. The input control adjusts the level being sent into the compressor, and the output control is to add additional gain that was lost from the gain reduction. Discrete compressors also come in solid state and tube options.

Limiters can be used on a source to set a “brick wall” that signal cannot pass. This is ideal when a drum bus has extreme transients, and continues to overload the bus. Or on a mix bus that is being pushed to the limit. A limiter is a great way to make sure that a mix will not blow up any speakers you play them through.

Compressors come in all shapes and sizes, from mono units, to eight channels, and more. When deciding on the best compressor for your rig, make sure you think about how many channels you would want to compress at one time. In a smaller studio set up, a single channel or dual channel might work for everything in your recording or mix.

Some compressors can be used in a side chain configuration, which can allow you to trigger the compressor or limiter from an external audio signal. This can be used to “duck” the bass whenever a kick drum is hit to make more room for the attack, or “duck” delays and reverbs every time the vocalist sings.

With so many options available, it can be overwhelming figuring out what compressor or limiter will work best for your setup. Our sales team at Vintage King is highly trained in all the models we carry, and will be glad to help find the right fit for your studio.

I would like to thank VK for the wonderful sales assistance, service and prices. This was my first purchase with you and it won't be my last. I only wish I'd discovered you years ago!
Matthew R.
I had two Grammy wins this year - Ray LaMontagne & Carolina Chocolate Drops. Both made with help from Vintage King!
Ryan F.
In almost 20 years in Pro audio buying, never did I receive a unit so well packed and exactly as described. Works flawlessly. The whole process has been so smooth. I will never hesitate to do business with you guys in the future and will recommend you to everyone I know.
Martin C.
This was my first experience buying something from Vintage King (although I surf the "used" categories on the website frequently!), and, despite being on the other side of the world, I had absolutely no trouble and everything went very smoothly.
Phil T.
The speed of delivery exceeded my expectations! I was VERY pleased that my shipment arrived in time for a scheduled vocal tracking session. The packing insured that my order arrived safely. And the sales staff responded quickly to questions regarding the product.
James P.
Thank you so much! Vintage King has been so fair and easy to work with. I can't thank you enough. It feels good to trust such a hefty purchase to folks who are so helpful and knowledgeable. Vintage King is a sound designers dream store.
Noa L.
You guys have excellent customer service and I am excited about the next upgrade I complete on my fifth recording facility. I've been in the studio business for forty plus years. The salesman I worked with at Vintage King was the best of the best. You all rock!
Robby T.
I would recommend Vintage King to any one looking for top-class gear, unbeatable customer service and the best prices on the map!
Jake D.
My experience with Vintage King was excellent. The order was here fast considering it was out of stock. The sales person had SKB send it to me directly and I couldn't have been more pleased.
Michael D.
From the minute I placed my order I was kept well-informed through each step in your process. Even though I was buying a comparatively modest piece of gear, your attention to detail made me feel like I was purchasing a six-figure mixing desk.
Thomas W.
I am a new customer of yours. You guys provided me the absolute best deals in ordering all the equipment to power my brand new recording studio. Your customer service is amazing and i will always deal with you from here on out.
Rob M.
Thanks for your great service and getting this out today. You guys really are the Kings!
Alan B.
Better than expected! Truly impeccable service. Your team was professional, knowledgeable, provided speedy delivery above and beyond standard. Vintage King Audio is definitely my go to for all of my audio and information needs.
James O.