500 Series Preamps

500 Series Preamps

50% Off Vintage King 500 Series Rack with $1250 or more in 500 Series modules

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  1. Mercury D Series AM16D Studio Microphone Amplifier

    MFR#: MDS AM16D
    500 Series version of the original American, modular, transistor type preamplifier built in the 1960s
    More Info
    Ships directly from Mercury
    • Free shipping to the lower 48 states for online orders of $99 and up.Free Shipping (USA)
    • We add an additional year of coverage for additional peace of mind.Free Extended Warranty
    • Our friendly and knowledgeable sales team is here to support you before, during and after your purchase.Free Tech Support

    $1,119.00

    $948.00
    No interest if paid in full within 12 months
  2. Mercury Grand Pre D

    MFR#: Grand Pre D
    Next generation of Mercury preamp and new Mercury sound
    More Info
    Ships directly from Mercury
    • Free shipping to the lower 48 states for online orders of $99 and up.Free Shipping (USA)
    • We add an additional year of coverage for additional peace of mind.Free Extended Warranty
    • Our friendly and knowledgeable sales team is here to support you before, during and after your purchase.Free Tech Support
    No interest if paid in full within 12 months

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Add analog warmth to your digital recording rig with 500 series preamps. Available in all preamps styles, from classic solid state designs such as the API 512c, Neve 1073lb, or Focusrite Red 1, to vintage tube designs such as the Radial Engineering Powertube 500, Crane Song Syren, or LaChapell Audio 583s MK2. Most 500 series preamps offer 48 V phantom power, impedance-matched ribbon mic inputs, as well as front panel hi-Z instruments inputs. Some preamps include high and lowpass filters, dynamic processing, EQ, or all of the above like a classic channel strip. 500 series preamps are designed to easily achieve the same results with every recording, and most preamps come with switched gain controls. For easy integration to your DAW, most 500 series modules are equipped with output level control, removing the need for third party attenuators.

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