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SKU
43963
Overstayer Stereo Voltage Control Stereo VCA Compressor
Stereo VCA Compressor with harmonics, 2-band shelving EQ and blend control
The Overstayer Stereo Voltage Control is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor/limiter and enables new sonic possibilities while streamlining workflow.
The SVC combines the gain control and punch of VCA gain cells, the warmth and character of our discrete analog Harmonics circuitry, and the sculpting power of an ultra-smooth 2-band shelving EQ. The SVC has dynamics control from fast peak limiting to smooth RMS compression, with multiple starting ratios and a Behavior control to create new and unique envelopes. Use the LEVEL control to drive into Harmonics to further bend transient peaks, adding musical harmonic color and cohesiveness as well as increasing apparent volume. The EQ and filters allow you to shape and drive as much low warmth or smooth top presence as desired. Each of its multiple stages can add its character and harmonics, cumulatively transforming the signal in a way not normally possible within a single device.
The integrated blend control allows even aggressive settings to be balanced tastefully. You can further create custom compression shaping by using the sidechain high-pass filter for low end response, or even further by using the external sidechain insert.
Features
Highly interactive stereo dynamics, tone, and harmonics control
Controllable dynamics from fast peak limiting to smooth RMS compression
VCA gain cell configured to be driven and impart its own harmonic coloration
Wide ranging timing controls combine with behavior for extreme transient and sustain shaping
Dial in presence and restore high end with the stereo high shelf EQ
Interactive low end control with the integrated sidechain filter, low shelf EQ, and 50 Hz low cut filter with resonance peak
10 segment LED Gain Reduction meter
Power supply included with rugged 5 pin XLR connector and IEC cable
Compressors and limiters are some of the most important and versatile tools that any audio engineer can use. Virtually every modern recording uses compression somewhere in the chain of tracking, mixing, and mastering. This ubiquity makes them valuable but also creates confusion when considering the many choices in the marketplace. To help straighten that out, we’ll discuss the main types of compressors and the terminology that explains their usage.
The purpose of a compressor is to even out the audio signal in order to tame loud transients and bring up lower amplitude material. Compressors were born out of necessity to fill that very straightforward role, to protect radio transmitters from overly hot signals, and to keep recordings in a narrower dynamic range that was easier to reproduce on tape or record. Continue reading →
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