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The NTP DAD Core 256 may not take up much space, but the power you can squeeze out of this little box might just make your jaw drop to the floor. With tons of channels, a wide palette of digital connectivity, built-in SPQ processing, Eucon control compatibility, internal summing engine and drivers for macOS and Windows 10, it is a pristine digital audio interface by any measure and for just about any application.
However, there is one application that should be emphasized in particular: Core 256 is simply the perfect Dante and MADI interface for Dolby Atmos RMU.
The size and shape of Core 256 fits nicely for sharing a 1U rack shelf with a Mac Mini running Dolby Atmos Renderer, Dolby Atmos Production Suite or Dolby Atmos Mastering Suite. For immersive audio post production facilities, this solution will represent the missing link that streamlines and optimizes the multichannel workflows seamlessly.
Even though it is a tiny Dolby Atmos hero, Core 256 is of course ready to take on a wealth of other tasks in the Post Production, Studio and Installed Audio spheres.
With Dante, MADI and ADAT ports onboard and versatile and flexible DADman routing control available, it is also a stellar D/D converter that can grab any digital audio channel – convert it if needed – and route it anywhere.
Another application would be as a dedicated audio interface for your DAW. Whether you run Pro Tools, Logic Pro, Nuendo, Cubase, Ableton Live, Digital Performer or any other DAW, Core 256 is your super low-latency entrance.
And with the ADAT, MADI and Dante connectivity, you can easily add analog preamps or insert points to the mix.
The basic I/O configuration for the Core 256 interface is:
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The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the NTP DAD Core 256 Thunderbolt 3/Dante Interface (Demo Deal) . Once you submit your review, please check your email and verify your address to have it posted.
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