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The super compact Nord Drum 3P combines stunning playability with unlimited sound design possibilities! New features include integrated multi-pad, Reverb and Delay effects, a simplified sound selection mode and new Sound Banks for quickly creating custom kits on the fly. It features an integrated super responsive multipad and external kick input and weighs under 2 kg (4.1 lb)! The great sounding global Stereo Reverb and Delay effects lets you add a whole new dimension to your drum sounds and the effect amount is easily adjusted for each drum channel.
The Drum Select feature lets you browse a wide selection of great sounding drums sounds, simply assigned to each pad individually. Easily replace toms, cymbals or kicks in seconds by selecting from the new preset library. The Drum Select banks feature 9 categories of great preset sounds that can be easily assigned to any of the six pads/channels - and is a great starting point in rehearsal situations when you need to find the right sounds in a matter of seconds. The categories include Bass drums, Snare drums, Toms, Hi-hats, Cymbals, Percussion, Bells, Tuned Percussion and Effects.
The Tone Section is specialized for creating tonal and harmonically complex sound spectras and has four synthesis modes – Resonant synthesis, Subtractive Synthesis, Frequency Modulation and Ring Modulation synthesis.
The Resonant synthesis mode offers a wide range of complex spectras inspired by materials like drum heads, marimba, vibraphone, tines and cymbals. A unique feature includes the possibility to tune harmonic spectra.
The Subtractive Wave types include Sine, Saw, Square, Pulse waveforms and T-Bridge Oscillators and are brilliant for creating classic synth-type drum sounds and effects.
The FM Synthesis mode features 6 different FM algorithms where the Frequency parameter controls modulation amount and Spectra controls modulation frequency.
The Ring Modulation mode features 2 different types of Ring Modulation.
The Nord Drum 3P offers great control over the dynamic response of the harmonic spectras.
When using Resonant synthesis waveforms the upper parts of the harmonic spectra be controlled with velocity, giving it a brighter timbre when played hard.
When using the Subtractive synthesis mode, the Frequency parameter controls the cut-off frequency of a Low-Pass filter and the Dyn Filter controls how much the filter should respond to velocity.
The Decay controls the decay of the whole spectra, with a choice of Linear and Exponential decay envelopes. A Dynamic Decay mode lets you set different Decay lengths for soft and hard strokes. The Punch Decay adds more attack to the Tone by giving the fundamental pitch an ultra-fast envelope at the very beginning of the sound.
The Bend parameter provides a powerful, velocity sensitive pitch envelope. Use it to create attack-like effects but also more radical bending sounds that travel up or down when played such as the sound of a raindrop, tablas or the classic 80s “pioouw” tom-sound.
The Noise section is all about producing noise and is very powerful. Create anything from silky smooth hiss to gritty gravel to give the Tone part of the sound more texture.
The Noise can be sculpted with Low-Pass, High-Pass or Band-Pass filters with Cut-Off and Resonance controls. Once you've found the noise of your choice, it can be adjusted to respond dynamically to velocity in the same manner as with the Tone section with the Dyn Filter control.
The Decay control is just as powerful, with a choice of Linear, Exponential and Gated decay types. A Dynamic Decay mode lets you set different Decay lengths for soft and hard strokes.
Combine this with the equally powerful dynamic controls of the Tone Section and it won’t take long before realizing the potential for creating complex sounds with fascinating material-like behaviors!
The Click-section is a specialized section for an ultra-short attack to the sound. A wide range of different click types are available as well as a level control for finding the sweet spot where the Click merges with the other elements and becomes one coherent sound.
Each of the 6 channels of the Nord Drum 3P has its own powerful effects – Drive, EQ and Ring Modulation.
Adding just a touch of Drive to your sounds can make a huge difference in terms of realism, while the Sample-Rate reduction is perfect for Lo-fi crackling effects. Ring Modulation can be used for slow tremolo-like effects to total atonal mayhem.
A flexible parametric Equalizer with selectable band and amount is also available for each channel, brilliant for adding some finish or attitude to your sounds.
The Nord Drum 3 features two new Master Effects, Reverb and Delay. The Reverb features 5 room algorithms (Tiled Room, Room, Plate, Stage and Hall) with controls for tonal color. The Delay effect features a Tap Tempo-mode and adjustable feedback amount. The amount of Reverb and Delay can be set individually for each of the 6 channels of the Nord Drum 3P
The Channel Mixer sets the level for each channel and also features a Pan control for creating a lush stereo image. If you like to send the kick to a separate output, just pan that channel all the way to the left and the other channels to the right.
MIDI in/out is also available for using the Nord Drum 3P with any kind of MIDI pads or sequence it from an external MIDI Sequencer. All of the Nord Drum 3P sound parameters can be controlled via CC-controls over MIDI. If you own an iPad don't miss our free iPad app Nord Beat, specifically designed for sequencing the Nord Drum 3P via MIDI.
Everything you play when using the multipads and external input is automatically output to the MIDI output, making the Nord Drum 3 a brilliant controller for other sound sources via MIDI.
Condition | New |
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Package Contents | Drum 3P, user manual, universal module mount, and universal power adapter |
Width | 11.2 in |
Height | 1.9 in |
Depth | 11.8 in |
Unit Weight | 4.1 lb |
Chassis | Desktop |
Input Connectors | 1/4-inch TS |
Output Connectors | 3.5 mm TS, 1/4-inch TS |
MIDI Connections | In, Out |
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