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MICROPHONES
OUTBOARD
SOFTWARE
MONITORS
INSTRUMENTS
Rich, fat, gluey. Great for thickening up various tracks.LimiterRatio: more than 100:1Level: adjustable from +4dbm to +12dbm in increments of 0.5dbmAttack time: Fixed Recovery time: 100mS, 200mS, 800mS, AutoCompressorRatio: 1.5:1, 2:1, 3:1, 4:1, 6:1.Threshold: -20 to +10 dBm Attack time: fixed 5msRecovery time: 400ms, 800ms, 1500ms, AutoOne of the landmark innovations in audio gear. Since its first appearance in 1969, the Neve 2254 Mono Limiter/Compressor has become a legend. With all-discrete Class A circuitry, transformer-coupled inputs, and many innovations - like its bridge-driver design - the 2254 created a totally unique sound that can only be described as 'Neve'.The famous 2254 series of compressor limiters had its birth in the Neve 2253, which was a limiter designed for broadcast use in accordance with the Experimental and Development Department (EDD) of the Independent Broadcast Authority (IBA), a regulatory body set up in the UK in 1972.By adding a compression side chain to the original design, the 2254 was born. In its original configuration, the 2254 was used in both broadcast and recording consoles as built-in units, usually as part of the meter bridge.Unlike many other compressors, the 2254 does not use a FET, opto-attenuator or VCA to create gain reduction, but employs a diode bridge for this purpose, which is biased by the compressor and the limiter. This creates about a 40dB loss at the attenuator and another 20dB at the gain make up stage, thus requiring about 60db of gain, which is accomplished by lowering the attenuation. Controls include:
The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the Neve 2254/A Pair #5053/779 in VK Rack (Vintage) . Once you submit your review, please check your email and verify your address to have it posted.
