Neumann U 87, Rupert Neve 5017 & Mogami Mic Cable – No Longer Available
- Neumann U 87 AI Set Z
- Rupert Neve 5017
- Mogami Gold Studio Microphone Cable - 15'
The Neumann U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille.
A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.
Furthermore, the low frequency response can be reduced to compensate for proximity effect.
The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.
The dual-diaphragm capsule is elastically mounted and protected by a large head-grille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.
The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.
The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.
Filter and attenuation
A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.
An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.
This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).
The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.
Comprised of a rugged, portable chassis with world class Portico pre-amp, compressor and DI circuits as well as two channel operation, variphase, silk and DI/mic blending capabilities, the Rupert Neve Designs Portico 5017 is an innovative and powerful tool for recording or live performance. In replacing the Portico 5016 Mic Pre / Variphase DI, the 5017 Mobile DPC adds single knob compression, DI / Mic Pre blending, and a go anywhere design to a well established classic.
With Portico Series custom transformers and silk mode, the Mobile DPC’s sonic signature is nothing short of legendary. It’s the 5017’s revolutionary feature set however that make it an indispensable tool for studio recording, live recording and stage performances.
Dual Channel Use
Used as a two channel device, a lead singer and guitar player, can take the classic studio quality of the Rupert Neve 5017 wherever they go; using the DPC for a Vocal mic pre and compressor, as well as a separate DI preamplifier. To achieve this, the blend control should be selected as fully DI (blend off), and an internal jumper can be selected to apply the compressor to the mic pre signal. When engaged, Silk mode would effect both vocal and guitar tracks, and the HPF control would effect only the mic path.
Used as a single channel device for instruments, the 5017 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.
Based around a new LDR (light dependent resister) design, the 5017’s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with an internal jumper to change between standard and fast time constants. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.
In addition to the standard polarity reverse, the 5017 also incorporates a vari-phase control to adjust the phase incrementally. This control is useful any time two signals derived from the same source are combined.
For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.
This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 5017, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.
Two Channel Operation
With two transformer coupled outputs, the 5017 has separate line outputs for the DI/Blend and Mic signals when the blend control is set to fully DI. The mic output is always independent.
Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.
Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level
DI Gain is from 0dB to 30dB
Balanced or unbalanced Hi-Z input for instruments
High pass filter
The high pass filter is a valuable aid in any signal chain but particularly so in a microphone preamplifier. Signals below 80hz can be attenuated at a rate of 12db / octave, getting rid of building rumble, air handling motor hum etc.
Provides 48v phantom power to microphones. Controlled by a switch on the back of the unit.
Reverses the polarity of the mic input
When signals exceed the “threshold” level, the gain is reduced at a controlled 2:1 ratio, with attack and release time constants set to standard or fast depending on the internal jumper setting.
Indicators on the 5017 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.
Two internal jumpers in the 5017 can be set to change the compressor from the mic channel to the di / blend channel, and to change the compressor time constant from standard to fast.
With the 5017, the Portico sound is always within reach.
Mogami Premium-Grade Studio Microphone Cable
The Gold Series uses selected Mogami Neglex "Studio Quad" Oxygen Free Copper cable. This 4-conductor cable actually cancels noise caused by poor ground planes and high RF or electromagnetic fields. The ultra-low-noise spiral shield is the most densely wound available. All this engineering helps cure many of the problems encountered in a project or home studio, creating a much quieter recording environment with vastly improved Dynamic Range.
Virtually every major recording facility in the world is wired with Mogami cable. This means that just about any music you choose has been recorded using Mogami in the audio chain. This cable is famous for unmatched accuracy, extremely low noise and remarkable flexibility. Top engineers rave about its amazing clarity and silent background. If accuracy in reproduction is your goal, this is the cable for you.
- Microphone cable for studio use
- Gold-pin/black body Neutrik XLR connectors
- Neglex quad microphone cable
|Tube or Solid State||Solid State|
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