Mojave Audio MA-200 Cardioid Tube Condenser Microphone – No Longer Available
The Mojave MA-200 is a large diaphragm, vacuum tube condenser microphone with a fixed cardioid pattern. Born to a lineage of fine microphone designs by David Royer, the MA-200 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.
Utilizing hand-selected three-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.
- Hand-selected three-micron capsule
- Jensen audio transformer
- Military grade JAN 5840 vacuum tube
- Internal switchable power supply voltage
- Ultra clean signal path
Use anywhere you would use an expensive, large diaphragm tube microphone:
- Acoustic instruments
- Drum overheads, drum rooms
- Orchestral recording
- Choral recording
|Package Contents||5-pin mic cable, PSU, power cable, shock mount, case, mic box|
|Unit Weight||1 lb|
|Tube or Solid State||Tube|
|Number of Microphones||Single Microphone|
|Impedance||200 Ohms, transformer balanced (Jensen)|
|Frequency Range||20 Hz - 20 kHz ±3dB|
|Sensitivity||-37 dBV/Pa (14.1 mV)|
|Max. SPL||120 dB|
So excited to see that you can purchase the MA200 through Vintage King. It has been our go to vocal microphone for well over ten years now here at Seahorse Sound. Great u67-ish top end and a velvety but tight low end. Killer mic, never need to eq it. Highly recommend it if you need a great vocal mic and a versatile instrument microphone.
it sounds really good it's just that it's really bright on vocals and acoustic guitar which are the 2 main things i bought it for. i prefer darker mics that can take eq well. i wound up selling it and bought a pearlman TM1 which i love love. this mic is great if you want all that top end. i wouldn't call it harsh - just that when all that zing is recorded on the way in, it's harder to control for me rather than adding the airy stuff as needed come mix time. just my .02
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