Mackie 1642-VLZ3 – No Longer Available
With its sleek new look, upgraded preamps and EQ circuitry, the new Mackie 1642-VLZ3 redefines perfection. With the same features and functionality of its predecessor, the re-engineered Mackie 1642-VLZ3 has even greater headroom than the original. We could have stopped right then and there, but since we’re obsessed with perfection, we redesigned the Mix Bus and made significant enhancements to the EQs, giving the 1642-VLZ3 a more intuitive and musical feel.
The 1642-VLZ3’s three unique channel strip formats allow you to input and shape any kind of signal, including mic, line, and stereo instruments. Whether you need a live mixing board for club work, or a full-featured workhorse for home and studio recording, you owe it to yourself to check out the new Mackie 1642-VLZ3. You’ll think it’s perfect, too.
Vastly Superior XDR2™ Mic Peamps
Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1642-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range.
Three Kinds of Channel Strips
1. Channels 1–8 are essentially the same as those on our 1604-VLZ3, with mono line-level input and our ultra-high-quality XDR2 mic preamps. These VLZ (Very Low Impedance) mic pres offer superior sound quality and the best RFI rejection of any compact mixer on the market.
2. Channels 9/10 and 11/12 (two physical channel strips) each provide a stereo pair of line-level inputs and a mono XDR2 mic preamp.
3. Channels 13/14 and 15/16 (also in two physical channel strips) each provide a stereo pair of line-level inputs only, with fixed 4-band equalization at points that are specifically designed for line-level inputs, such as keyboards, sound modules, etc.
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