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Kali Audio IN-8 V2 8" 3-Way Powered Studio Monitor - Single

3-way, 140-watt Class D active studio monitor delivering a clear, lifelike stereo image with its coaxial midrange and high-frequency drivers along with an 8" woofer - now includes natural finish driver cones and improved cabinet construction

MFR# IN-8V2

Product Description

The Kali Audio IN-8 V2 is unlike anything you’ve ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum. At the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you’ll be able to hear subtle details in your mix with pinpoint precision.

The design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either. All of this make the IN-8 extremely accurate and easy to mix on. You’ll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.

The 2nd Wave (V2) IN-8 features the latest technology developed by Kali including:

  • 12 dB reduction in amplifier self noise: 2nd Wave IN-Series monitors are dead quiet when not being used, the only noise you'll hear is whatever you're playing in your mix
  • Natural finish driver cones: less material on the cone increases driver efficiency
  • Improved cabinet construction for better cosmetic longevity

ACCURACY

The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.

Not only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.

Because of the IN-Series' coincident architecture, you may notice a dip between 8 - 10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the INs based on single point static measurements.

IMAGING

When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture.

The IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.

CLARITY

The IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.

Taking up the space in between in the hero of the IN-Series: the 4-inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion and degrades the accuracy of the system. The midrange on the IN-Series is limited to less than 1 millimeter peak-to-peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.

FEATURES:

  • Soft Dome Tweeter for smooth, effortless highs
  • Profile-optimized Midrange Driver for clear mids and excellent directivity all the way to the top of the frequency response
  • Powerful Woofer for clean, punchy bass that doesn’t disrupt the mids and highs
  • 12 dB reduction in amplifier self noise in V2
  • Natural finish driver cones for increased efficiency
  • Improved cabinet construction for better cosmetic longevity
  • More robust DSP for more precise tuning.
  • New Boundary EQ Tunings to take advantage of the fact that the IN-Series monitors can be placed either horizontally or vertically
  • Input sensitivity lowered by 3 dB for higher output from a given input signal

Product Specifications

Condition New
Width 10 in
Depth 11.2 in
Height 17.7 in
Unit Weight 23 lb
Active or Passive Active
Monitor Application Near-Field
Speaker Configuration Three-Way
Driver Sizes LF: 8" Paper; MF: 4" Optimized Profile Paper; HF: 1" Textile Dome
Number of Speakers Single
Input Connectors RCA, 1/4-inch TRS, Analog XLR
Amp Wattage LF: 60 W; MF: 40 W; HF: 40 W (140 W total, all Class D)
Frequency Range 37 Hz - 25 kHz (-10 dB)
Max. SPL 117 dB

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I would like to thank VK for the wonderful sales assistance, service and prices. This was my first purchase with you and it won't be my last. I only wish I'd discovered you years ago!
Matthew R.
I had two Grammy wins this year - Ray LaMontagne & Carolina Chocolate Drops. Both made with help from Vintage King!
Ryan F.
In almost 20 years in Pro audio buying, never did I receive a unit so well packed and exactly as described. Works flawlessly. The whole process has been so smooth. I will never hesitate to do business with you guys in the future and will recommend you to everyone I know.
Martin C.
This was my first experience buying something from Vintage King (although I surf the "used" categories on the website frequently!), and, despite being on the other side of the world, I had absolutely no trouble and everything went very smoothly.
Phil T.
The speed of delivery exceeded my expectations! I was VERY pleased that my shipment arrived in time for a scheduled vocal tracking session. The packing insured that my order arrived safely. And the sales staff responded quickly to questions regarding the product.
James P.
Thank you so much! Vintage King has been so fair and easy to work with. I can't thank you enough. It feels good to trust such a hefty purchase to folks who are so helpful and knowledgeable. Vintage King is a sound designers dream store.
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You guys have excellent customer service and I am excited about the next upgrade I complete on my fifth recording facility. I've been in the studio business for forty plus years. The salesman I worked with at Vintage King was the best of the best. You all rock!
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My experience with Vintage King was excellent. The order was here fast considering it was out of stock. The sales person had SKB send it to me directly and I couldn't have been more pleased.
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From the minute I placed my order I was kept well-informed through each step in your process. Even though I was buying a comparatively modest piece of gear, your attention to detail made me feel like I was purchasing a six-figure mixing desk.
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