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The first outing for KMA’s unique and custom AI driven True Double Tracker technology was in the ENDGAME, their powerhouse end-of-chain pedal. KMA designed the dead-simple-to-use, TDT Algorithm in ENDGAME to be as authentic to the doubling recording process as possible, but not everybody needs all the bells and whistles of such an all-encompassing device. So, meet the KMA Machines GEMINUS - all of KMA’s True Double Tracker goodness in a compact pedal that’s suitable for any board. Whether playing live or recording with a single instrument, GEMINUS is the perfect solution for adding “fatness” and “width” to your performances - it really does feel like you are playing the same riff twice!
Enabled via the soft bypass footswitch, GEMINUS accurately replicates the minor differences that exist between two separate recordings. The TDT WIDTH control spreads your doubled tracks, anywhere from completely centered (0%) to 50% left and right (center indent) and 100% left and right split.
The mode for the TRS input and output jacks is selected by the toggle switch. You can choose between stereo in and out, mono in and stereo out or mono in to mono out, so no matter your signal and tonal desires, GEMINUS will fit into your rig with ease. For the most accurate performance (and just like the real double tracking scenario in the studio), the custom True Double Tracker algorithm should ideally be fed with a mono signal. Obviously if you are trying to emulate what traditionally happens in the studio, you wouldn’t normally double up a stereo source. Having said that, the TDT algorithm has been optimized to still have a useful and very pleasing widening effect on stereo input signals, just take care that using too much doubling on some stereo sources may cause your carefully crafted reverb, delay or other modulation effects to turn to mush or even add phase issues.
To help tailor the Doubling to your own taste, the TIME control changes the timing range of the doubled AI-driven onset detection. Essentially, it’s all about the tightness of the doubled signal to fit differing playing styles. Variable from an extra tight mode, that’s perfect for extra fast riffs, to a looser timing that can just the right amount of density to more open playing styles, this control is a powerful weapon to make your riffs fit your musical goals. The center detent is GEMINUS’ default factory position, but turning the knob left will give a tighter feel. Crank the knob to the right and the doubled signal becomes much more relaxed.
While the LEVEL control affects the balance of the doubled signal against the original source. Useful for those times where you might want maximum width, but a little less (or even more) of the sound to be doubled against the original. Center detent of the knob is GEMINUS’ default factory position. There’s some clever panning stuff going on under the hood here too, so neither the doubled or original signal is louder on one side or the other, when in Stereo.
Finally, the new PITCH selector switch can add some additional movement to your doubled signal, extending the usefulness of GEMINUS beyond standard doubling. When the switch is at the center default position (-) there is no pitch adjustment, (~) adds some subtle modulation, while (≈) adds even more wobble. In this mode, it doesn’t mean that your second guitarist will sound like they are off on a quest for enlightenment all on their own (!), it is just super handy for those times when you want more chaos and instability in your ensemble.
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The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the KMA Machines GEMINUS Stereo True Double Tracker Pedal . Once you submit your review, please check your email and verify your address to have it posted.
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