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SKU
834
Gefell M 300 Cardioid Studio Pencil Condenser Microphone
Miniature pencil, cardioid studio condenser
MFR# 211101
Product Description
The Gefell M 300 is a compact condenser microphone in studio quality. The frequency response of the transmission factor is practically linear for a wide range of sound incidence and has a smooth treble boost rising to about 3 dB between 6 and 10 kHz. The miniature microphone is well suited for vocal and instrumental soloists. lt permits a lifelike recording also at various sound incidence, e.g. announcer in synchronous studios, speaker, blower.
The M 300 is designed for studio applications in radio, television broadcasting and films for live performance and recording of instruments, vocals and speech and sound reinforcement in the professional and semiprofessional market also under adverse acoustic conditions, e.g. in churches.
A new low-noise integrated hybrid circuit and the transformer-less circuit design guarantee an extremely wide dynamic range by a low equivalent loudness level and a high reliability in operation. RFI susceptibility is very low.
The microphone is powered by a three-pin XLR connector with the C 70 microphone cable. The power supply is provided by 48 V phantom powering, which is internationally standardized as P 48 in DIN 45596 and IEC 268-15. A two-channel powering is possible with the N 200 power supply.
The finish of the miniature microphone is dark bronze.
Product Specifications
| Condition | New |
|---|---|
| Package Contents | M 300 mic and wooden box |
| Length | 130 mm |
| Diameter | 21 mm |
| Unit Weight | 126 g |
| Tube or Solid State | Solid State |
| Transducer Type | Condenser |
| Polar Pattern | Cardioid |
| Number of Microphones | Single Microphone |
| Phantom Required | Yes |
| Impedance | 100 Ohms |
| Frequency Range | 30 Hz - 18 kHz |
| Sensitivity | -38.4 dBV/Pa (12 mV) |
| Max. SPL | 147 dB |
| Analog or Digital | Analog |
Product Reviews
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My company owns 10 of these microphones. In every use case they have outshined the KM184's available to us on site. They have a more robust bottom end and an airy top end, rarely requiring additional EQ. I’m surprised they are not more widely known. They have been our go to orchestra spot mics for Detroit Opera radio broadcasts.
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I love this mic! I have been using it primarily on my violin and acoustic guitar and I couldn’t be happier. Crystal clear, sweet top end, and harmonically rich all through the spectrum. Possibly my favorite sdc I have ever used.
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A spectacular microphone. Very smooth, natural, and detailed sound. A killer mic choice for acoustic guitar and basically any acoustic source for that matter.
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