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The Fryette LX II Tube Stereo Power Amplifier has toured nationally with Chris Traynor (Bush), Pete Anderson (Dwight Yoakam), Stephen Carpenter and Chino Moreno (Deftones), Roy Lozano (Power Flo) and others during the artist-only beta release phase. Now this amazing amplifier is available worldwide!
With Fryette Power Amplifiers, it’s all about the feel. Once you hear a modeling amplifier with a real tube power amp pushing the speakers you’ll instantly understand why a digital signal path can’t duplicate the complex relationship between a power tube and the speakers. The LX II’s “Linear” mode provides a full-range, flat-response signal from your amp to your speaker cabinet, while the “Enhanced” mode brings the color and life to your tone that you would expect from a Fryette power amp.
Now you can hear and feel what that model is supposed to sound like!
Built on decades of experience producing the finest all-tube power amps available, the Fryette LX II is the world’s first one-rack-space all-tube 50-watt per channel power amp. It beautifully accentuates the inherent qualities of any preamp or modeling device and dynamically responds to your playing technique, the way a great guitar amp should.
The Fryette LX II represents the ultimate evolution of classic tube amplifier design with a Patented transformer technology that allows it to fit in a one-rack-space housing with high reliability and extremely quiet operation. It has been designed to last decades with only nominal maintenance.
The LX II delivers 50 watts per channel into a 4, 8 or 16 ohm load, and provides beautiful harmonic balance, wide open-dynamic delivery and powerful bottom-end response via four Premium matched 6L6GC power tubes, and proprietary paper insulated output transformers.
The specially designed temperature sensing multi-speed fan system draws air through the tube cage to keep things cool.
For a dynamic stereo tube power in a compact package, there's simply nothing comparable to this amazing piece of pro-quality gear.
sound good.As power amp , this its sound is straightforward meaning this is very controllable as a daw or analog mix even . But when LXII is not silent when it is power on, it gives me very large sound. If nature of LXII does not give me poweron sound, it will be better.
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