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All of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces.
The Focusrite Saffire PRO 40 represents the new generation of Focusrite multi-channel FireWire audio interfaces. It is the best sounding interface in its class; attentively designed with today’s project studio in mind.
Focusrite's unparalleled pre-amp legacy forms the foundation of this new interface, with eight award-winning Focusrite pre-amps. These are combined with the very latest in FireWire interfacing technology to deliver seamless integration, excellent routing flexibility and future-proof, rock-solid driver stability.
With Saffire PRO 40, sonic integrity reigns supreme. The eight Focusite pre-amps ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains.
Alongside the eight Focusrite pre-amps are a host of i/o options; 10 analogue outputs, ADAT i/o, stereo SPDIF i/o and 2 virtual ‘loopback’ inputs for routing digital audio between software applications. Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel 5-LED metering for each analogue input offers accurate viewing of levels.
Saffire PRO 40 comes with the Focusrite plug-in suite. All-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins provide a significant upgrade from standard sequencer effects, bringing a touch of class to your session. Focusrite’s established Xcite+ bundle is also included. The bundle includes Ableton Live Lite, Novation’s Bass Station soft synth and over 1 gig of royalty-free samples.
Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. It features unparalleled output routing and monitoring, as well as intuitive one-click solutions, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes.
Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customizable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround.
Line level Outputs
Additional Conversion Performance
Analogue Channel Inputs (Inputs 1-8)
Digital Channel Inputs (Inputs 9-18) 44.1-96kHz
Analogue Audio Outputs (Outputs 1-10)
Digital Channel Outputs (Outputs 11-20) 44.1-96kHz
*This item now includes the Focusrite Red 2 & Red 3 Plug-In Suite (AAX/AU/VST) upon registration of interface. Accurately modeled on the classic Red 2 EQ and Red 3 Compressor, the Red plug-ins let you exploit the sound of the hardware originals, conveniently from within Pro Tools® (10 and above) and other audio software.
In addition to the Red 2 and Red 3 Plug-in Suite, this interface includes the Softube Time and Tone Pack. This is a unique plug-in bundle, comprised of Softube's world class TSAR-1R reverb, Tube Delay, and Saturation Knob.
TSAR-1R: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound and extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional rooms to dramatic and dreamlike halls.
Tube Delay: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages. Create anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub reggae echo madness.
Saturation Knob: Add grit and warmth to any sound source with this modeled output distortion unit. Use it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop. Simply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.
|Input Connectors||XLR Combo|
|Output Connectors||1/4-inch TRS|
|Number of Preamps||8|
|MIDI Connections||In, Out|
|Maximum Sampling Rate||96 kHz|
|Digital Format||ADAT, S/PDIF|
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