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Introducing the Focusrite RedNet, Focusrite’s flagship range of modular Ethernet-networked audio interfaces that harnesses the power of Audinate’s tried and tested Dante digital audio networking system to bring studio quality sound to any modern audio application. Fundamentally RedNet is an extremely scalable, near zero latency audio distribution system that can be used to expand I/O channel count, interface digital components, and/or bridge between Pro Tools|HD or MADI and the Dante audio network.
For situations in which low-latency performance is critical, such as tracking, the RedNet PCIe card provides the best possible performance for your system. This dedicated card fits into a Windows or Mac computer with a standard PCIe card slot and delivers up to 128 channels I/O with under 3ms latency*. A standard RJ45 Gigabit Ethernet connector links your audio computer to the rest of the network via a GigE switch.
Key Features and Performance:
128 channels in and 128 channels out
Compatible with any Dante network
Up to 192 kHz sample rate
Under 3ms analogue-to-analogue round-trip latency*
In a recent blog, we covered the basics of Audio Over IP networks and how they can benefit your workflow. We’re diving in deeper with a more focused look at Dante and the way this technology works with gear from Focusrite.
What is Dante? It's the leading AoIP technology created by Audinate. Dante allows the use of the same Ethernet technology in consumer and commercial networks for uncompressed multi-channel audio distribution, minimal latency, and sampling rates of up to 192kHz. You can even use Dante AoIP in conjunction with conventional network traffic. There's support for Cat 5e, Cat 6, and even fiber optic cables. Continue reading →
Since it was started by Rupert Neve in 1985, Focusrite has spent over three decades creating essential tools for music creators. That legacy lives on today, as the brand continues to evolve its interface offerings for different kinds of recording studios. Focusrite Pro has played a pivotal role in this evolution.
Focusrite Pro has added four new products to its lineup today, including the RedNet R1 desktop remote controller, Red 8LINE interface, and newly updated versions of the RedNet D16R MkII and RedNet A16R MkII interfaces. In this Buyer’s Guide, we’ll break down this new gear and explain the differences between each line of Focusrite Pro solutions.
Before we get too far into the tech behind these groundbreaking designs, let’s talk a little about the start of Focusrite and how Focusrite Pro came to be a part of the company. Let's go back to the 1980s! Continue reading →
As more and more audio creators make the leap to working in Dolby Atmos, many pro audio manufacturers are working to streamline the gear and set-up involved. Focusrite has been at the forefront of this movement by releasing interfaces and controllers that make it possible to have an Atmos rig in any room.
Vintage King recently sat down with Focusrite Pro's North American Sales Manager Dave Rieley and Marketing Manager Tom Edwards to talk about configuring a Dolby Atmos set-up with Focusrite studio tools. Continue on for our conversation and learn how with a few simple pieces of gear, you can be ready for the Atmos revolution. Continue reading →
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